Journal articles: 'Sarah Harding' – Grafiati (2024)

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Relevant bibliographies by topics / Sarah Harding / Journal articles

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Author: Grafiati

Published: 4 June 2021

Last updated: 7 February 2022

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1

Tilling, Chris. "Paul’s Eschatological Anthropology: The Dynamics of Human Transformation by Sarah Harding." Catholic Biblical Quarterly 80, no.3 (2018): 528–29. http://dx.doi.org/10.1353/cbq.2018.0105.

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2

Ismy, Adi Saputra. "Hardening pada baja aisi C 1045." Jurnal POLIMESIN 3, no.2 (September29, 2019): 217. http://dx.doi.org/10.30811/jpl.v3i2.1450.

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Sifat mekanik suatu logam tidak hanya tergantung dari komposisi kimia; tetapi juga pada struktur mikro dan proses perlakuan akhir. Pengerasan (hardening) adalah salah satu bentuk perlakuan panas dimana pengerasan dilakukan dengan memanaskan baja di daerah austenit, kemudian didinginkan cepat. Untuk itu telah disiapkan 15 buah. material uji baja AISI CI045 dengan pengaruh perbedaan temperature austeniusasi 800,850, 900, 950, 1000° C dan media pendingin air, oli SAE 20/40 dan emulsi Satu bual: material yang tidak dikeraskan digunakan sebagai pembanding peningkaian kekerasan. Komposisi karbon pada baja AISI CI045 adalah 0,43 - 0,50%. Hasil penelitian memperlihatkan bahwa kecenderungan peningkatan kekerasan terjadi tidak hanya dipengaruhi oleh naiknya temperature pemanasan tetapi juga laju pendinginan, dimana kekerasan optimum diperoleh pada temperature 850°C, holding time 15 menit dan pendinginan air, yaitu HV = 572,2. Kekerasan maksimum dengan media pendingin emulsi diperoleh nilai kekerasan HV = 427,8 juga pada temperature 950° C.

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3

Isworo, Hajar, and Najib Rahman. "EFFECT OF VARIATIONS IN HEATING TEMPERATURE AND COOLING MEDIA ON THE HARDNESS AND MICROSTRUCTURE OF STEEL ST 41 HARDENING METHOD." Scientific Journal of Mechanical Engineering Kinematika 5, no.1 (June22, 2020): 37–50. http://dx.doi.org/10.20527/sjmekinematika.v5i1.136.

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Baja ST 41 merupakan salah satu dari jenis baja golongan baja karbon rendah dan dapat ditingkatkan lagi sifat mekaniknya dengan cara proses perlakuan panas. Hardening merupakan proses perlakuan panas yang bertujuan untuk meningkatkan kekerasan serta kekuatan baja dengan cara pemanasan, penahanan dan pendinginan dalam interval waktu dan media pendingin tertentu. Tujuan penelitian ini adalah untuk mengetahui pengaruh temperatur pemanasan dan media pendingin terhadap kekerasan dan struktur mikro baja ST 41. Proses hardening dilakukan pada temperatur austenit (850oC, 900oC dan 950oC) dengan waktu tahan (holding time) 15 menit kemudian didinginkan cepat menggunakan media pendingin aquades, oli SAE 20W-50, dan air kelapa. Hasil pengujian menunjukkan nilai kekerasan optimum adalah 326,2 HV pada temperatur pemanasan 850oC dengan media pendingin air dan kekerasan minimum 153,1 HV pada temperatur pemanasan 950oC dengan media pendingin oli SAE 20W-50, sementara hasil pengujian struktur mikro setelah proses hardening memperlihatkan struktur yang terbentuk adalah martensit dan bainit. Daripenelitian ini dapat diambil kesimpulan bahwa proses hardening dapat menaikkan nilai kekerasan pada baja ST 41.

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Darsono, Febri Budi, Sudibtia Titio Koin, and Akhmad Nurdin. "PERBANDINGAN PERLAKUAN T6 DAN TEMPERING CASE HARDENING ALUMINIUM 7075 TERHADAP SIFAT MEKANIK." Dinamika : Jurnal Ilmiah Teknik Mesin 12, no.2 (July30, 2021): 51. http://dx.doi.org/10.33772/djitm.v12i2.17846.

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ABSTRAK Aluminium merupakan logam yang paling banyak digunakan setelah baja, dengan karakteristik utamanya adalah ringan (berat jenis = 2.7 g/cm3), memiliki konduktivitas panas dan listrik yang tinggi, dan ketahanan korosi yang baik. Penggunaan aluminium menempati urutan kedua setelah besi dan baja dan digunakan sebagai bahan untuk komponen industri otomotif, salah satu penggunaanya yaitu berupa komponen pada mobil. Aluminium yang digunakan seri 7075 yang mana memiliki sifat paling baik dan kekuatan paling tinggi dibandingkan paduan aluminium lainnya. Aluminium seri 7075 merupakan seri yang dapat diberikan perlakuan panas, perlakuan panas yang digunakan yaitu tempering dan case hardening, yang mana perlakuan tersebut dapat meningkatkan sifat mekanik aluminium 7075. Metode perlakuan panas yang digunakan yaitu proses tempering case hardening (TCH) dan T6, dengan variasi suhu solution heat treatment (SHT) 3500C, 4000C, 4000C dan 5000C. Proses tempering T6 tahapannya: a). Pemanasan suhu SHT dengan variasi suhu (350 - 5000C), b). Quenching, dan c). Tempering (dengan suhu 1200C selama 2 hari). Sedangkan proses tempering case hardening, proses temper dilakukan setelah proses case hardening dengan metode pack carburizing. Pengujian yang dilakukan yaitu: uji kekerasan vickers, uji tarik, uji struktur mikro dan uji xrd, hasil menunjukkan setelah perlakuan TCH dan T6 didapatkan kekerasan dan kekuatan tarik terbesar pada suhu SHT 500 0C yaitu kekerasannya 182.5 dan 171 VHN, kekuatan tariknya 613.3 dan 618.3 MPa. Kata kunci: Aluminium 7075, Tempering Case Hardening, T6, Kekerasan Vickers, Kekuatan Tarik.

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5

Fein, Seth. "Reviews of Books:Frida Julie Taymor, Sarah Green, Salma Hayek, Jay Polstein, Lizz Speed, Nancy Hardin, Lindsay Flickinger, Roberto Sneider, Claney Sigal, Diane Lake, Gregory Nava, Anna Thomas." American Historical Review 108, no.4 (October 2003): 1261–63. http://dx.doi.org/10.1086/529962.

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6

Ibrahim, Akhyar. "Efek perlakuan panas terhadap retakan pada bahan aisi 1045." Jurnal POLIMESIN 8, no.1 (September8, 2019): 698. http://dx.doi.org/10.30811/jp.v8i1.1306.

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Baja SAE/AISI 1045 merupakan salah satu jenis baja karbon yang banyak dimanfaatkan untuk berbagai komponen dan konstruksi mesin. Namun demikian, dalam kondisi operasi dan konstruksi baja AISI 1045 seringkali terjadi kegagalan, akibat retakan yang timbul pada proses pengecoran, pabrikasi dan atau perlakuan panas. Karena itu, tujuan penelitian ini adalah untuk menemukan pengaruh hardening dan tempering terhadap kekerasan dan struktur mikro, dan retakan, Data penelitian ini dikumpulkan melalui studi kepustakaan dan uji laboratorium, kemudian dianalisis dengan menggunakan metode deskriptif Hasil penelitian menunjukkan bahwa (1) makin tinggi suhu pemanasan, makin tinggi harga kekerasan, (2) makin tinggi waktu penahanan, makin tinggi harga kekerasan, kecuali pada suhu 1000”C ketika waktu penahanan tinggi, harga kekerasan turun, (3) Hasil analisis struktur mikro dan makro menunjukkan bahwa makin tinggi suhu pemanasan makin tinggi retak guench, dan makin tinggi waktu penahanan makin tinggi juga retak guench. dengan jenis patah antar-batas-butir (intergranular), dan (4) makin tinggi suhu pemanasan makin tebal lapisan dekarburasi serelah hardening bahan tersebut.Kata kunci: AISI 1045, hardening, tempering, kekerasan, retak

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Nurlina, Nila. "Pengaruh Pengujian Hardening pada Baja Karbon Rendah Sebagai Solusi Peningkatan Kualitas Material." Jurnal Qua Teknika 9, no.1 (March28, 2019): 11–20. http://dx.doi.org/10.35457/quateknika.v9i1.636.

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Baja karbon rendah merupakan paduan yang terdiri atas unsur utama karbon dengan komposisi rendah dan besi. Sifat mekanik baja karbon rendah dipengaruhi oleh komposisi dan struktur mikro logam. Salah sifat mekanik logam yang akan dicari nilainya adalah kekerasan. Tujuan penelitian ini adalah melakukan pengujian hardening terhadap material baja karbon rendah. Hasil yang didapatkan dari penelitian ini yaitu nilai kekerasan baja karbon rendah semakin meningkat seiring bertambahnya suhu pemanasan. Selain itu, berdasarkan data hasil percobaan diketahui bahwa media pendingin air garam memiliki kekerasan lebih tinggi dibandingkan dengan oli SAE 10.

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8

Aziza, Yuliana. "PENGARUH KADAR GARAM DAPUR (NaCl) DALAM MEDIA PENDINGIN TERHADAP TINGKAT KEKERASAN PADA PROSES PENGERASAN BAJA ST-60." Jurnal Teknologi Terapan: G-Tech 1, no.1 (August20, 2020): 18–25. http://dx.doi.org/10.33379/gtech.v1i1.263.

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Pengerasan bahan (hardening) merupakan salah satu proses perlakuan panas dengan kondisi non-equilibrium. Proses pengerasan baja dilakukan untuk memperbaiki sifat mekanis baja yakni sifat kekerasan yang dibutuhkan dalam dunia industri sebagai bahan pembuatan komponen otomotif dan konstruksi pemesinan.Tujuan dalam penelitian ini adalah untuk mengetahui tingkat kekerasan baja ST-60 setelah mengalami perlakuan hardening dengan media pendingin air yang dicampur dengan garam dapur (NaCl) sebanyak 20 %, 25%, dan 30 %. Metode dalam penelitian ini menggunakan deskriptif kuantitatif. Sedangkan desain penelitiannya adalah penelitian eksperimental yang dilakukan di laboratorium. Teknik analisis data menggunakan analisis uji beda t dan anova yakni uji paired sample t test dan one way anova. Objek penelitian ini adalah baja karbon menengah ST-60 yang kemudian diberi perlakuan yakni hardening dengan media pendingin yang berbeda. Hasil penelitian menunjukkan rata-rata nilai kekerasan pada baja ST-60 dengan media pendingin 20 % NaCl sebesar 264.5 HV, untuk kadar garam 25% NaCl menunjukkan angka kekerasan 278 HV, sedangkan baja dengan kadar 30 % NaCl sebesar 311 HV. Hal ini menunjukkan bahwa terdapat perbedaan nilai kekerasan pada baja ST-60 antara sebelum dan setelah mengalami proses hardening yang kemudian didinginkan dengan media pendingin larutan garam 20 %, 25% dan 30 % sehingga dapat sisimpulkan bahwa kadar garam dapur (NaCl) berpengaruh terhadap tingkat kekerasan baja ST-60. Tingkat kekerasan baja akan meningkat seiring bertambahnya kadar garam yang dimasukkan kedalam media larutan pendingin baja ST60. Tingkat kekerasan baja tertinggi dicapai pada spesimen yang dikeraskan dan didinginkan dengan media pendingin larutan garam dengan kadar 30 % NaCl.

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9

Rivanga, Nadya Utami, and Indra Noer Hamdhan. "Analisis Vacuum Consolidation pada Perbaikan Tanah Lempung Lunak dengan Model Axisymmetric (Hal. 68-79)." RekaRacana: Jurnal Teknil Sipil 4, no.1 (February27, 2018): 68. http://dx.doi.org/10.26760/rekaracana.v4i1.68.

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ABSTRAKTanah lempung lunak merupakan jenis tanah yang memiliki kuat geser yang kecil, koefisien permeabilitas yang kecil, kompresibilitas yang besar, dan mempunyai daya dukung rendah. Kondisi tersebut menyebabkan tanah lempung lunak menjadi tantangan pada kontruksi yang akan di bangun diatasnya, sehingga diperlukan perbaikan tanah. Salah satu perbaikan tanah untuk tanah lempung lunak yang banyak dijumpai yaitu vertical drain dan preloading. Pada tugas akhir ini metode tersebut akan dikombinasikan dengan vacuum consolidation. Tegangan vakum yang digunakan pada kasus ini sebesar 50 dan 80 kPa. Analisis yang dilakukan dengan menggunakan program PLAXIS 2D dengan model Axisymmetric. Analisis dilakukan dengan memvariasikan tiga dari sekian banyak soil model yaitu Mohr Coulomb, Hardening Soil, dan Soft Soil. Berdasarkan hasil dari penelitian nilai penurunan, tegangan pori, dan waktu konsolidasi yang dihasilkan berbeda tetapi hasil penurunan soil model dengan Hardening Soil dan Soft Soil tidak terlalu berdeda secara signifikan.Kata Kunci: tanah lempung lunak, vacuum consolidation, Mohr Coulomb, Hardening Soil, Soft Soil, axisymmetric, PLAXIS 2D ABSTRACTSoft clay is a type of soil that has low shear strength, high compressibility, low coeffiecient of permeability and low bearing capacity. The condition caused soft clay soil to be a challenge on the construction that will be built on it, so that it needed soil improvement. The soil improvement for soft clay that often found is vertical drain and preloading. In this final project that method will be combined with vacuum consolidation. The vacuum pressure used in this case amount from 50 and 80 kPa. The analysis was performed using PLAXIS 2D program with Axisymmetric model. The analysis was done by varying the three of soil models Mohr Coulomb, Hardening Soil, and Soft Soil. Based on the settlement of the research, settlement value, pore pressure, and time of consolidation are different but the result of soil models of Hardening Soil and Soft Soil is not significantly differentiated.Keywords: soft clay, vacuum consolidation, Mohr Coulomb, Hardening Soil, Soft Soil, axisymmetric, PLAXIS 2D

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Huriawati, Farida, Wachidatul Linda Yuhanna, and Tantri Mayasari. "PENGARUH METODE PENGERINGAN TERHADAP KUALITAS SERBUK SERESAH Enhalus acoroides DARI PANTAI TAWANG PACITAN." Bioeksperimen: Jurnal Penelitian Biologi 2, no.1 (March1, 2016): 35. http://dx.doi.org/10.23917/bioeksperimen.v2i1.1579.

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Kabupaten pacitan memiliki komoditas flora laut yang potensial. Salah satunya adalah E. acoroides. Pemanfaatan E. acoroides sebagai sumber bahan kimia dan obat-obatan membutuhkan pengolahan yang tepat sehingga mampu tahan dalam waktu yang lama. Salah satu proses yang biasa diberikan adalah proses pemanasan untuk memperlambat proses kimia dan biologi pada bahan, sehingga bahan menjadi tahan lama. Metode penelitian ini menggunakan metode eksperimen.Tahapan penelitian meliputi pengambilan dan preparasi E. acoroides, pembuatan serbuk seresah E. acoroides, analisa kualitas serbuk seresah E. acoroides yang meliputi analisa kadar air, kadar abu, kadar lemak, dan kadar pati. Hasil dari penelitian ini adalah proses pengeringan dilakukan dengan 2 cara yaitu menggunakan oven dan sinar matahari. Proses pengeringan menggunakan oven yang berlangsung pada suhu yang tinggi menyebabkan terjadinya case hardening, yaitu bagian permukaan bahan pangan sudah kering sekali bahkan mengeras sedangkan bagian dalamnya masih basah. Kualitas kelayakan hasil produksi serbuk seresah lamun dengan metode pengeringan sinar matahari kadar air 14,76%, kadar abu 18,83%, kadar pati 9,88% dan kadar lemak 0,54%. Pengeringan menggunakan oven kadar airnya 23,66%, kadar abu 19,39%, kadar pati 8,73% dan kadar lemak 0,74%.

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Tanoto, Yopi Yusuf. "Perancangan Proses Remanufaktur pada Komponen Otomotif." Jurnal Teknik Mesin 17, no.1 (February9, 2021): 11–16. http://dx.doi.org/10.9744/jtm.17.1.11-16.

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Kendaraan bermotor sebagai alat transportasi saat ini menjadi salah satu kebutuhan penting untuk manusia. Jumlah sepeda motor terus meningkat setiap tahunnya. Hal ini menyebabkan sampah atau limbah berupa komponen yang telah rusak dari sebuah kendaraan juga terus meningkat. Saat ini, beberapa bentuk dari limbah tersebut dapat dilakukan recycle agar materialnya dapat dimanfaatkan kembali. Beberapa komponen yang telah rusak sebenarnya masih dapat digunakan lagi dengan beberapa proses seperti repair, refurbish atau remanufaktur. Proses remanufaktur adalah salah satu recovery option paling tinggi dalam mengolah limbah atau sampah. Dalam melakukan perancangan proses remanufaktur untuk komponen otomotif, perlu adanya pemilihan komponen yang akan dijadikan objek. Setelah pemilihan objek, maka dibuat serangkaian proses yang harus ada di dalam proses remanufaktur komponen otomotif seperti disassembly, cleaning, inspection, recondition, dan reassembly. Tahap akhirnya adalah membuat gambar rancangan proses remanufaktur untuk objek komponen otomotif. Ciri khas yang terdapat pada proses remanufaktur komponen otomotif adalah adanya special treatment seperti normalizing, hardening untuk beberapa komponen otomotif yang berguna untuk mengembalikan atau bahkan meningkatkan performa atau mechanical properties dari komponen yang dilakukan remanufaktur.

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Sihota,R., P.D'Souza, and P.A.Lamba. "Spontaneous Healing in Nomas of the Eyelid." Tropical Doctor 18, no.4 (October 1988): 171–73. http://dx.doi.org/10.1177/004947558801800411.

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A noma is an acute, necrotizing ulcerative mucositis, also known as cancrum oris, which occurs commonly in children, 2–5 years of age, having a debilitating illness or severe malnourishment. This gangrene lives up to the meaning of its Greek name, by rapidly devouring all adjacent soft tissues, and in some cases even bone. It generally affects the mouth and genitalia and infrequently involves the lid and other extraocular tissues1–3. A noma spreads painlessly and has been reported to leave extensive and complex facial defects2,4,5. Surprisingly, the nomas seen at the Lady Hardinge Medical College and Smt. Kalawati Saran Children's Hospital have been noted to heal without any disfiguring defects when maintained on supportive nutritional therapy and antibiotics without any surgical manipulation during the active or healing phases of the disease. We detail the history and findings in one such case to emphasize the excellent cosmetic and functional results obtained by this purely conservative management.

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Widayatmo, Adi Nugraha, and Anggi Nindita. "Identifikasi Morfologi Aksesi Pisang Cavendish pada Fase Pembibitan dan Produksi di Lampung." Buletin Agrohorti 7, no.2 (May17, 2019): 138–44. http://dx.doi.org/10.29244/agrob.7.2.138-144.

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Pengembangan pisang secara komersial masih mengalami banyak kendala salah satunya adalah susahnya penyediaan bibit unggul dengan potensi hasil yang baik. Kegiatan penelitian dilaksanakan di Lampung selama empat bulan yaitu mulai dari bulan Februari sampai dengan Juni 2017. Tujuan kegiatan penelitian adalah mengidentifikasi keragaan dua aksesi pisang cavendish di tahap pembibitan dan produksi buah. Pengambilan data terdiri dari data sekunder dan data primer. Data primer meliputi daya hidup Meristem Tissue Culture (MTC), daya hidup bibit di polybag, penjarangan, dan hardening, bobot tandan, bobot bonggol, rendemen panen, jumlah sisir per tandan, jumlah buah per sisir, dan ukuran buah pisang. Keragaan daya hidup Aksesi CJ30 pada tahap tanam ke polybag menunjukkan hasil yang berbeda nyata dan lebih baik dari pada CJ40 dan pada fase penjarangan serta hardening menunjukkan hasil yang tidak berbeda nyata. Keragaan Aksesi CJ30 dan CJ40 pada peubah komponen panen menunjukkan hasil yang berbeda nyata pada lima peubah yaitu bobot tandan, bobot bonggol, rendemen, jumlah sisir, dan jumlah finger sedangkan hasil analisis lebar buah menunjukkan hasil yang tidak berbeda nyata. Peubah bobot tandan, bobot bonggol, dan rendemen panen berdasarkan hasil nilai tengah menunjukkan bahwa CJ40 lebih disukai dibandingkan CJ30, sedangkan pada jumlah sisir dan jumlah finger CJ30 lebih disukai dibandingkan CJ40.

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Rumendi, Umen, Achmad Muhammad, and Damarendro Hutomo Putro. "Analysis of the Effect of Temperature Differences on Surface Hardness and FeB Diffusion Process on DIN 34CrNiMo6 Steel Material Through the Boriding Process." MOTIVECTION : Journal of Mechanical, Electrical and Industrial Engineering 2, no.3 (September1, 2020): 31–42. http://dx.doi.org/10.46574/motivection.v2i3.67.

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The availability of materials that meet production needs is sometimes not easy to obtain. Material properties must meet the standards are physical properties, including violence. One method is to increase the value of the surface hardness of the material by the boriding process. Boriding is a surface hardening process through the process of diffusion of the substrate, thereby causing the material hardness to increase. The results showed the temperature in the boriding process of DIN 34CrNiMo6 material was proven to affect the surface hardness of the material. The FeB diffusion process begins to form at temperatures of 850°C and 950°C. The optimal temperature for the boriding process is at a temperature of 950°C. Ketersediaan material yang memenuhi kebutuhan produksi terkadang tidak mudah untuk didapatkan. Sifat material harus memenuhi standar adalah sifat fisik material, diantaranya adalah kekerasan. Salah satu metode untuk meningkatkan nilai kekerasan permukaan material dengan proses boriding. Boriding merupakan suatu proses surface hardening melalui proses difusi terhadap substrat sehingga menyebabkan nilai kekerasan material tersebut mengalami kenaikan. Hasil penelitian menunjukkan temperatur pada proses boriding terhadap material DIN 34CrNiMo6 terbukti dapat mempengaruhi kekerasan permukaan material. Proses difusi FeB mulai terbentuk pada temperatur 850°C dan 950°C. Temperatur optimal untuk proses boriding adalah pada temperatur 950°C

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Tarigan, Buki. "KARAKTERISASI MATERIAL BUCKET TEETH PADA EXCAVATOR UNTUK PENINGKATAN KUALITAS DAN PEMBUATAN." INFOMATEK 18, no.2 (November7, 2017): 97. http://dx.doi.org/10.23969/infomatek.v18i2.497.

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Abstrak: Bucket teeth adalah komponen attachment yang sering digunakan pada heavy equipment salah satunya yaitu bucket wheel excavator, yang fungsinya untuk material handling. Prinsip kerja bucket wheel excavator adalah continuous excavators, namun dalam pengoperasinnya bucket teeth sering terjadi kendala yang dapat mengganggu proses produksi. Salah satu kendala yang sering terjadi adalah keausan pada bucket teeth. Bucket teeth harus mempunyai ketangguhan dan kekuatan bahan yang tinggi, sehingga dapatmempengaruhi life time dari komponen tersebut dan mengurangi down time. Dalam penelitian ini akan dibahas mengenai karakterisasi material bucket teeth pada BWE (Bucket wheel excavator) dengan menggunakanmetoda pengamatan metalografi, pengujian komposisi kimia, dan pengujian kekerasan yang berguna untuk mengetahui harga kekerasan pada bucket teeth dengan, demikian dapat memberi informasi kepada industri lokal dan perusahaan yang menggunakan bucket teeth mengenai spesifikasi material yang cocok untuk pembuatan bucket teeth. Adapun hasil pengujian metalografi, analisa komposisi kimia bucket teeth adalah termasuk material baja paduan sedang yang mengandung silicon, mangan dan krom yang mempunyai sifat tangguh, tahan korosi dan tahan aus. Diliahat dari struktur mikro dan kekerasan mempunayai struktur martensit temper dan harga kekerasanya rata-rata 468 BHN. Dengan adanya porositas dan permukaan specimen yang kasar dapat diperkirakan bahwa proses pembuatan bucket teeth menggunakan proses pengecoran (casting), dan diikuti dengan pengerasan (hardening) dan temper

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Bayuseno, Athanasius Priharyoto, and Dipo Adi Negoro. "Peningkatan Nilai Kekerasan pada Bucket Teeth Excavator dengan Metode Pack Carburizing dan Media Quenching Oli SAE 20W-50 Serta Cangkang Kerang sebagai Energizer." ROTASI 20, no.4 (January11, 2019): 195. http://dx.doi.org/10.14710/rotasi.20.4.195-201.

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Pada ekskavator, bagian ujung dari bucket yang berperan seperti cakar-cakar disebut bucket teeth. Bucket teeth merupakan salah satu bagian yang paling mungkin terjadi kegagalan ketika excavator digunakan. Untuk mengatasi kegagalan, dilakukan peningkatan sifat mekanis terutama nilai kekerasan dengan cara pack carburizing. Pack carburizing merupakan salah satu jenis dari carburizing dimana proses ini merupakan proses pengerasan pada permukaan (surface hardening) dengan cara menambahkan unsur karbon dengan cara difusi yang dilakukan pada suhu 950oC dengan variasi waktu penahanan 2,4 dan 6 jam ditambah dengan variasi serbuk cangkang kerangyang berperan sebagai energizer sebesar 30%, 40% dan 50%. Setelah dilakukan pack carburizing, bucket teeth dilakukan proses quenching dengan media oli SAE 20W-50 untuk meningkatkan nilai kekerasan. Setelah itu dilakukan proses pengujian kekerasan, mikrografi, dan uji komposisi kimia untuk membandingkan material setelah dan sebelum proses pack carburizing. Hasil menunjukkan bahwa terjadi kenaikan nilai kekerasan seiring dengan banyaknya karbon dan waktu tahan, dimana kekerasan tertinggi terjadi pada variasi 70% Charcoal – 30% serbuk cangkang kerangdengan waktu penahanan 4 jam sebesar 84.9 HRA. Unsur karbon yang terdifusi ke dalam material akan meningkat seiring penahanan waktu yang semakin lama dimana difusi karbon paling dalam terjadi pada penahanan 6 jam dengan variasi 70% C – 30% serbuk cangkang kerang.

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Widiastuti, Mira Landep, and Sri Wahyuni. "Application of Invigoration Technique in Order to Improve Seed." Jurnal Penelitian dan Pengembangan Pertanian 39, no.2 (December3, 2020): 96. http://dx.doi.org/10.21082/jp3.v39n2.2020.p96-104.

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<p>Seed is a component of production that contributes to increasing the national rice production. The use of low-quality seeds compared with production costs, non-uniform plant growth, yield reduction, and yield quality. One effort to improve the quality of seed vigor is through invigoration treatment. Invigoration technique among other hydration, thermal treatment, and coating. The hydration method is a water absorption system in seeds. Uncontrolled absorption (hydro-priming), by soaking and drying the seeds, hardening, on-farm priming, soaking for a certain period. The controlled system (osmo-priming) by immersing in osmotic solution, osmo-hardening (integration of hardening and osmo-priming), matri-priming with moist solid media, humidifications (with high humidity), and hormonal priming (with hormones. The second method is by temperature treatment, including by cooling and heating. The third technique is the coating treatment, namely coating the seeds. Hydration system hydro-priming for 30 hours can break seed dormancy with normal germination capacity of 91.3-99.3% in Memberamo, Cipunagara, and Maros varieties. The hardening technique is effective in increasing the germination of hybrid rice seeds for 12 hours with 2 cycles and for 24 hours with one cycle. The osmo-priming technique of soaking seeds in a 10 ppm GA3 solution or a mixture of 10 ppm GA3 + 15 ppm kinetin was effective in increasing the vigor of hybrid rice seeds. The matri-priming technique with rubbing ash as a medium plus the addition of 50 µ m GA3 was effective in breaking dormancy of the Membramo, Cipunagara, and Maros varieties of rice. It is can be applied, especially by small farmers.</p><p>Keywords: Rice, seed, invigoration, quality</p><p> </p><p><strong>Abstrak</strong></p><p><strong>PENERAPAN TEKNIK INVIGORASI DALAM MENINGKATKAN VIGOR BENIH PADI </strong></p><p>Benih merupakan komponen budi daya yang berkontribusi dalam meningkatkan produksi padi nasional. Penggunaan benih bermutu rendah berpengaruh terhadap penambahan biaya produksi, pertumbuhan tanaman tidak seragam, dan penurunan hasil dan mutu hasil. Salah satu upaya untuk meningkatkan mutu benih dari aspek vigor yang rendah adalah melalui perlakuan invigorasi. Teknik invigorasi dibagi menjadi tiga metode, yaitu hidrasi, perlakuan suhu, dan pelapisan (coating). Metode hidrasi merupakan sistem penyerapan air yang dapat terjadi pada benih. Penyerapan tidak terkontrol (hydro-priming) yaitu dengan merendam dan mengeringkan benih, pengerasan (hardening), on-farm priming yaitu merendam dalam jangka waktu tertentu. Sedangkan terkontrol (osmo-priming) dengan merendam pada larutan osmotik, osmo-hardening (integrasi hardening dan osmo-priming), matripriming dengan media padat lembab, humidifications (dengan kelembaban tinggi), dan hormonal priming (dengan hormon). Metode kedua adalah dengan perlakuan suhu, diantaranya dengan pendinginan dan pemanasan. Teknik ketiga adalah dengan perlakuan coating yaitu melapisi benih. Sistem hidrasi hydropriming selama 30 jam dapat mematahkan dormansi benih dengan daya kecambah normal 91,3-99,3% pada varietas Memberamo, Cipunagara, dan Maros. Teknik hardening efektif meningkatkan daya berkecambah benih padi hibrida selama 12 jam dengan dua siklus dan selama 24 jam dengan satu siklus. Teknik osmo-priming perendaman benih dalam larutan GA3 10 ppm atau larutan campuran GA3 10 ppm + kinetin 15 ppm efektif meningkatkan vigor benih padi hibrida. Teknik matri-priming dengan abu gosok sebagai media plus penambahan GA3 50 µm efektif mematahkan dormansi padi varietas Membramo, Cipunagara, dan Maros. Teknik invigorasi tersebut dapat diterapkan, khususnya oleh petani dengan skala produksi kecil.</p><p>Kata kunci: Padi, benih, invigorasi, mutu</p>

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Pramono, Agus, Suryana Suryana, Alfirano Alfirano, A.AliAlhamidi, Adhitya Trenggono, and Anistasia Milandia. "Perlakuan Panas Komposit berbasis Aluminium/ Zirconium Hasil Equal Channel Angular Pressing (ECAP) - Paralel Channel." Metal Indonesia 43, no.1 (June30, 2021): 1. http://dx.doi.org/10.32423/jmi.2021.v43.1-8.

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AbstrakProses produksi dengan menggunakan metode pengerjaan logam konvensional seringkali sulit terutama untuk produk masif, dimana peralatan dan produk seperti gaya dan tekanan tinggi diperlukan. Keterbatasan ini bisa diatasi dengan menggunakan teknologi terbaru yaitu severe plastic deformation (SPD), dengan metode spesifiknya yaitu equal channel angulatr pressing (ECAP). Perkembangan ECAP sudah mencapai tahap aplikasi produk, salah satu pengembangan metodenya yaitu model parallel channel, atau disebut ECAP-PC. Dalam aplikasi pembuatan komponen, diperlukan proses perlakuan panas material, bertujuan untuk mengubah sifat material. Perlakuan panas yang sesuai diantaranya adalah proses pelunakan anealling untuk pengerjaan komponen dan perlakuan panas jenis T6; artificial aging/age-hardening sebagai proses akhir, untuk penerapan aplikasi tertentu. Serbuk aluminium (Al) dengan campuran zirconium (Zr) diaktivasi secara mekanis menggunakan ball milling. Pencampuran menggunakan cairan etanol dan heptane untuk memudahkan pengeringan. Fraksi volume yang digunakan dalam komposit Al sebagai matriks dan Zr yaitu 97:3%. Serbuk komposit dilakukan penggilingan dengan proses ball milling menggunakan putaran 60 rpm selama 24 jam. Hasil perlakuan panas age-hardening menghasilkan sifat mekanik tertinggi sebesar 144-222 HV/1406-2177 MPa dibanding dengan jenis annealing yaitu 31-46 HV/301-449 MPa. Hal ini sesuai dengan tujuan dari perlakuan panas yaitu untuk menurunkan sifat mekanik agar material mudah diproses. AbstractThe production of conventional metalworking methods is often difficult especially for massive products, where equipment and products such as high force and pressure are required. This limitation can be overcome by using the latest technology, namely severe plastic deformation (SPD). By specific method, namely Equal Channel Angular Pressing (ECAP). The development of ECAP has reached the product application stage, one of the methods development is parallel channel model, or called ECAP-PC. Application of component manufacturing requires a material heat treatment process, aims to change the properties of the material. Suitable heat treatments include the annealing softening process for component work and the T6 type heat treatment; artificial aging/age-hardening as a finishing process for the application of certain applications. Aluminum (Al) powder and zirconium (Zr), mixture were activated mechanically by ball milling. Mixing processed using liquid ethanol and heptane for easy drying. The volume fraction used in the Al composite as a matrix and Zr is 97: 3%. The composites powder was milled by ball milling used a 60 rpm rotation for 24 hours. The results of age-hardening heat treatment produced the highest mechanical properties of 144-222 HV / 1406-2177 MPa compared to the type of annealing, namely 31-46 HV / 301-449 MPa. This is in accordance with the purpose of heat treatment, namely to reduce mechanical properties so that the material is easy to process.

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Santosa, Winnie Nirmala, and Baharuddin Baharuddin. "Penyakit Jantung Koroner dan Antioksidan." KELUWIH: Jurnal Kesehatan dan Kedokteran 1, no.2 (June24, 2020): 98–103. http://dx.doi.org/10.24123/kesdok.v1i2.2566.

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Abstract—Coronary heart disease (CHD), one of cardiac diseases, is caused mainly due to the narrowing of the coronary arteries because of atherosclerosis or spasm or a combination of both. Coronary heart disease is one disease that is scary and is still a problem in both the developed and developing countries. The oxidative stress originates mainly in mitochondria from reactive oxygen and reactive nitrogen species (ROS/RNS) and can be identified in most of the key steps in the pathophysiology of atherosclerosis and the consequential clinical manifestations of cardiovascular disease. Treatment of coronary heart disease is by pharmacological treatment and non-pharmacological therapy. One way of non-pharmacological therapy is to eat antioxidant. Several studies have shown that eating antioxidant can reduce LDL oxidation and play a role in inhibiting the process of hardening of the arteries. Keywords: antioxidant, coronary heart diseas, oxidative stress Abstrak—Penyakit jantung koroner (PJK) merupakan salah satu penyakit jantung mematikan. Penyebab utama terjadinya penyakit ini adalah penyempitan arteri koronaria. Penyempitan terjadi karena adanya kondisi aterosklerosis atau spasme maupun kombinasi dari keduanya. Penyakit jantung koroner masih menjadi masalah utama baik di negara maju maupun negara berkembang. Kejadian ini dipicu oleh stres oksidatif terutama di mitokondria. Adanya oksigen reaktif dan spesies nitrogen reaktif (ROS / RNS) dan dapat diidentifikasi dalam sebagian besar merupakan kunci dalam patofisiologi aterosklerosis dan manifestasi klinis konsekuensial dari penyakit kardiovaskular. Pengobatan penyakit jantung koroner adalah dengan pengobatan farmakologis dan terapi non-farmakologis. Salah satu cara terapi non-farmakologis adalah dengan mengkonsumsi antioksidan. Beberapa penelitian telah menunjukkan bahwa penggunaan antioksidan dapat mengurangi oksidasi LDL dan menghambat proses pengerasan pembuluh darah. Kata kunci: antioksidan, penyakit jantung coroner, stress oksidatif

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Djunaidi, Rita. "ANALISA KETAHANAN KEKERASAN ANTARA TABUNG GAS ELPIJI BESAR DAN TABUNG GAS ELPIJI KECIL." TEKNIKA: Jurnal Teknik 4, no.1 (July24, 2017): 57. http://dx.doi.org/10.35449/teknika.v4i1.61.

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Baja karbon rendah dan aluminium banyak digunakan didalam industri dan keperluan sehari – hari.Hal ini karena sifat dari logam – logam tersebut mempunyai sifat fisik dan mekanik relatif baik. Baja karbon yang mempunyai sifat keuletan dan kekuatan yang baik karena kandungan karbon yang dimiliki relatif rendah salah satunya adalah baja tipe JIS G 4051 S 22 C yang digunakan untuk pembuatan tabung baja LPG. Jenis baja ini dapat ditingkatkan kekuatan dan kekerasannya dengan proses perlakuan panas pengerasan (hardening) pada suhu 900°C ditahan dalam waktu 15 menit, diikuti dengan proses pendinginan di dalam air, selanjutnya diikuti dengan proses penemparan pada suhu 200°C ditahan selama 15 menit. Paduan aluminium, dilakukan proses Solution Heat Treatment pada 545°C selama 45 menit lalu pencelupan dan terakhir penuaian buatan pada 160°C selama 120 menit. Kekerasan tabung Aluminium sebelum perlakuan panas bagian atas, tengah dan bawah adalah : 70, 71 dan 72 HV dan sesudah perlakuan panas bagian atas, tengah dan bawah adalah : 264, 73 dan 72 mempunyai nilai kekerasan yang hampir sama. Kekerasan tabung baja karbon rendah sebelum perlakuan panas pada bagian atas, tengah dan bawah adalah : 167, 152 dan 150 HV. Sesudah perlakuan panas kekerasan menjadi naik pada tabung bagian atas, tengah dan bawah masing – masing adalah : 436, 345, dan 344 HV. Kata kunci : perlakuan panas, Solution Heat Treatment, Pemuaian Buatan

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Wasiso, Ichsan, Kusrini Kusrini, and Mei Parwanto Kurniawan. "Pengembangan Integrasi Sistem Unit Pelaksana Penimbangan, Pengujian Kendaraan Bermotor Dan Terminal Pada Tunggal Data Kendaraan." RESEARCH : Journal of Computer, Information System & Technology Management 4, no.1 (February11, 2021): 37. http://dx.doi.org/10.25273/research.v4i1.7003.

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<em>Pembangunan sistem informasi di UPPKB (</em>Unit Pelaksana Penimbangan Kendaraan Bermotor<em>), Terminal Bus, dan PKB (</em>Pengujian Kendaraan Bermotor<em>) dari berbagai penyedia ini telah menghasilkan permasalahan tersendiri. Belum adanya hubungan antara sistem informasi pada data kendaraan yang sangat mungkin dilakukan mengakibatkan terjadinya double entri data kendaraan sehingga mengurangi kemudahan dan kecepatan pengguna dalam melakukan operasional sistem informasi tersebut. Salah satu solusi yang dapat dilakukan untuk mengatasi permasalahan tersebut dengan menggunakan teknologi web service yang terintegrasi. Arsitektur yang digunakan dalam teknologi web service menggunakan metode REST yang mampu menjembatani integrasi data pada masing-masing sistem informasi dari berbagai penyedia yang ada tanpa harus membangun dari awal sebuah sistem baru. Pertukaran data dilakukan dengan menggunakan JSON. Petugas dapat memanfaatkan teknologi tersebut untuk memperoleh data kendaraan secara cepat dan mudah dari sumber data yang telah ditentukan oleh pemerintah. Sebuah server dibutuhkan sebagai tempat pertukaran data kendaraan dari berbagai sistem yang ada. Dengan demikian masing-masing sistem yang sudah ada hanya berhubungan dengan satu server tersebut untuk mendapatkan integrasi data dari berbagai sistem antar daerah. Dengan integrasi sistem ini maka double entri data kendaraan dari beberapa unit dapat dipangkas. Selain menghemat hardisk penyimpanan, integrasi sistem ini dapat mempermudah dan mempercepat proses entri data kendaraan. Pencarian informasi kendaraan menjadi lebih cepat dan lebih mudah</em>

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Murtalim, Fathan Mubina Dewadi, Amir, and Wanri Saputra Sigalingging. "PENGARUH PARAMETER TEMPERATUR QUENCHING TERHADAP SIFAT MEKANIK DAN STRUKTUR MIKRO REAR HUB SPINDLES." BUANA ILMU 5, no.2 (May1, 2021): 101–18. http://dx.doi.org/10.36805/bi.v5i2.1507.

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Perkembangan teknologi terutama dalam pengerasan logam mengalamai kemajuan yang sangat pesat. Perlakuan panas didefenisikan sebagai kombinasi operasi pemanasan dan pendinginan yang terkontrol dalam keadaan padat untuk mendapatkan sifat-sifat tertentu pada baja/logam atau paduan. Salah satu metode perlakuan panas tersebut dengan proses quenching. Proses perlakuan ini pada dasarnya terdiri dari beberapa tahapan, dimulai dengan pemanasan sampai ke temperatur tertentu, lalu diikuti dengan penahanan selama beberapa saat, baru kemudian dilakukan pendinginan dengan kecepatan tertentu. Tujuan penelitian adalah untuk mengetahui perubahan sifat mekanik dan struktur mikro yang terjadi pada material rear hub spindle yang digunakan untuk gigi power thresher setelah megalami proses perlakuan panas dengan media pendinginan oli. Dari hasil pengujian kekuatan bahan memperlihatkan bahwa nilai kekuatan tertingi terdapat pada specimen uji yang diberi perlakuan panas pada temperatur 875 oC dengan nilai kekuatan 602,46 N/mm2 dan nilai kekuatan terkecil pada spesimen uji yang diberi proses perlakuan panas pada temperatur 825 0C dengan nilai kekuatan tarik 537,50 N/mm2. Nilai kekerasan bahan tertinggi terdapat pada spesimen uji yang diberi perlakuan panas pada temperatur 875 oC dengan nilai kekerasan 219 HVN dan nilai kekerasan terkecil terjadi specimen uji yang diberi perlakuan panas pada temperatur 825 oC dengan nilai kekerasan 168 HVN. Dari hasil pengujian mikro struktur memperlihatkan bahwa diameter butiran bahan menunjukkan menurunnya diameter butiran selama proses hardening dengan quenching oli dimana semakin kecil diameter butiran maka sifat mekanis bahan meningkat. Kata Kunci : Rear Hub Spindles, Perlakuan panas, Sifat Mekanik, Struktur mikro

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Sunaryo, Sunaryo, Ali Djunaedi, and Adi Santoso. "Kesadahan Air Media Pemeliharaan dan Pengaruhnya Terhadap Kualitas Produk Kepiting Soka." Jurnal Kelautan Tropis 20, no.2 (November22, 2017): 145. http://dx.doi.org/10.14710/jkt.v20i2.1741.

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Mangrove crabs (Scylla serrata Forsskål, 1775) is one of the biological resources of the sea, that have economically important value and has been widely cultivated by traditional farmers to meet food needs in both the local and export markets. But the resulting quality of soft shell crab is not optimal. Quality is determined by the hardness of crab carapace after moulting. Approach to problem solving can be done through the research process of the aquatic organisms to their environment adaptation.This research was aimed to acknowledge the influence of the difference in water softening against time duration the hardening rate of the crabs carapace. This research had done in the area of brackishwater pond in the village of Mojo, Ulujami, Pemalang Regency during 8 months. Animal test used a Mangrove crab (S. serrata Forsskål, 1775), the weight size of 80-150 g, individually kept in plastic boxes (30 x 20 x 25 cm), 15 pieces per m2 density. Research was carried out using case study method. The observation parameters of research was aimed at the water softening and calcium content of rearing water media and body fluids of mangrove crabs, and time duration of carapace hardening. The data obtained from the results of the measurement and calculation of the research parameters of each sampling, include: carapace hardening response due to differences in water softening and calcium content in the rearing media as well as calcium content in the body fluid of the mangrove crab was analyzed using t-test. Observation on the research results showed that the process of soft shell crab production using rearing media of brackishwater and freshwater, each was respectively difference in the containing value of water softening and calcium content (p < 0.01). The water softening and calcium content of mangrove crabs as well as the calcium content of body fluid of the mangrove crab to response of time duration the carapace hardening on the mangrove crab after moulting as a whole indicated very significant difference (p < 0.01). But the results of the statistical analysis of calcium content in the body fluid of mangrove crab with the environmental rearing water media on each individual habitat suggested not significant difference (p ≥ 0.01). The conclusions of these research, i.e. water softening and calcium content of the rearing water of mangrove crab was the determining factor in the quality of the soft shell crab product. On the occasion research was advised to do optimization of water softening in the rearing crab, so resulting highly quality product of soft shell crab. Keywords : Calcium, Carapace Hardening, The Quality of Soft Shell Crab,Water Softening. Kepiting bakau (Scylla serrata Forsskål, 1775) merupakan salah satu sumber daya hayati laut yang mempunyai nilai ekonomis penting dan banyak dibudidayakan oleh petani tradisional untuk memenuhi kebutuhan pangan baik di pasar lokal maupun ekspor. Namun kualitas kepiting soka yang dihasilkan belum optimal. Kualitas kepiting soka sangat ditentukan oleh tingkat kekerasan kulit kepiting setelah moulting. Pendekatan pemecahan masalah ini dapat dilakukan melalui penelitian proses adaptasi organisme perairan terhadap lingkungannya. Penelitian ini bertujuan untuk mengetahui pengaruh perbedaan kesadahan terhadap lama waktu kecepatan pengerasan carapace kepiting. Penelitian dilakukan selama 8 bulan di pertambakan Desa Mojo, Kecamatan Ulujami, Kabupaten Pemalang. Hewan uji yang dipergunakan berupa Kepiting Bakau (S. serrata Forsskål, 1775), berat 80 - 150 g, dipelihara pada bok plastik (30 x 20 x 25 cm) secara seluler, padat penebaran 15 ekor per m2. Penelitian dilakukan dengan menggunakan metode studi kasus. Parameter penelitian ditujukan pada kesadahan dan kandungan kalsium air media pemeliharaan dan cairan tubuh Kepiting Bakau serta lama waktu pengerasan carapace. Data yang didapatkan dari hasil pengukuran dan perhitungan parameter penelitian pada tiap - tiap pengambilan sampel, meliputi: respon pengerasan carapace akibat perbedaan kesadahan dan kandungan kalsium dalam media air pemeliharaan serta kandungan kalsium dalam tubuh kepiting bakau dianalisis dengan menggunakan uji t tes. Hasil pengamatan di dalam penelitian menunjukkan bahwa proses produksi kepiting soka menggunakan media pemeliharaan air tambak dan tawar, masing – masing mengandung nilai kesadahan dan kandungan kalsium yang berbeda (p<0,01). Kandungan kesadahan dan kalsium air media pemeliharaan Kepiting Bakau pada media air pemeliharaan yang berbeda menunjukkan perbedaan sangat signifikan terhadap respon waktu pengerasan carapace Kepiting Bakau setelah moulting (p<0,01). Namun hasil analisis statistik kandungan kalsium cairan tubuh kepiting bakau dengan lingkungan media air pemeliharaan pada masing – masing habitat menunjukkan tidak adanya perbedaan yang sangat nyata (p≥0,01). Kesimpulan penelitian ini, yaitu kesadahan dan kandungan kalsium air pemeliharaan merupakan faktor penentu kualitas produk kepiting soka. Pada penelitian selanjutnya disarankan untuk mengoptimalkan kesadahan sehingga dihasilkan produk kepiting soka berkualitas tinggi. Kata Kunci : Kalsium, Kesadahan, Kualitas Kepiting Soka, Pengerasan Carapace

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S, Susiana Prasetyo, and V.Vincentius. "Pengaruh penambahan tween 80, dekstrin, dan minyak kelapa pada pembuatan kopi instan menggunakan metode pengering busa." Jurnal Teknik Kimia Indonesia 4, no.3 (October9, 2018): 296. http://dx.doi.org/10.5614/jtki.2005.4.3.5.

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The making of instant coffee with foam drying methods is one of the product inovation effort which it can produce commercially by small industry and also home industry. In this research, added coconut oil, dextrin, and tween 80 are added to the coffee for optimalized that drying process. Coconut oil are perhaps as heat conductor so that can increasing drying rate. Tween (Polyoxyethylene 20 Sorbitane Monooleate) and dextrin interacted each other tween 80 act as emulsifier and foam marker, dextrin act as foam stabilizer during drying process. Coffee extract have been added with cooconut oil, tween 80 and dextrin, they are mixed together toproduced foam and then will be dried in cabinet drier. The research method used is the making an instant coffee in three differents coconut oil concentration (0.01-1 %w/w), three differents tween 80 concentration (5-15%w/w), and three differents dextrin concentration (0-20%w/w). The research results showed that added of coconut oil will be increased rate of drying. Tween 80 can increase rate of drying, but dextrin can make case hardening that decrease rate of drying. Product of instant coffee have water content and caffein content in the range of SNI, which are 2.281-3.962% of water and 2.825-3.275% of caffein. Flavor, taste and texture of instant coffee are not different from instant coffee in market.Keywords: Instant Coffee, Foam Drying, Tween 80, Dextrin, Coconut OilAbstrakPembuatan kopi instan menggunakan metodepengeringan busa (foam drying) merupakan salah satu usaha inovasi produk yang dapat dilakukan secara komersial oleh industri kecil ataupun home industry. Pada penelitian ini ditambahkan minyak kelapa, dekstrin dan tween 80 pada kopi untuk mengoptimalkan proses perngeringan tersebut. Minyak kelapa diharapkan dapat berperan sebagai penghantar panas sehingga dapat mempercepat pengeringan. Tween (Polyoxyethylene 20 Sorbitane Monooleate) dan dekestrin saling berinteraksi, dimana tween 80 berfungsi sebagai emulsifier dan pembentuk busa sedangkan dekstrin berperan sebagai penstabil busa selama proses pengeringan. Ekstrak kopi ditambahkan pada minyak kelapa, tween 80 dan de/estrin, dan diaduk hingga terbentuk busa untuk kemudian dioleskan pada tray-trayyang akhirnya akan mengalami proses pengeringan di dalam tray drier. Konsentrasi minyak kelapa divariasikan pada 0,01-1%b/b, tween 80 pada 5-15% b/b, dan dekstrin pada 10-20% b/b. Hasil penelitian menunjukkan bahwapenambahan minyak kelapa akan meningkatkan laju pengeringan. Penambahan dekstrin meningkatkan laju pengeringan sedangkan penambahan tween 80 akan menyebabkan case hardening dan menurunkan laju pengeringan. Kopi instan yang dihasilkan telah memenuhi standar SNI dengan kadar air 2,281- 3,962% dan kadar kafein 2,825-3,275% serta memiliki aroma, rasa dan tekstur yang tidak berbeda jauh dari kopi instan dipasaran.Kata Kunci: Kopi Instan, Pengering Busa, Tween 80, Dekstrin, Minyak Kelapa

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Amalia, Ilmi. "Perbedaan Individual pada Ideologi Politik Berbasis Agama." TAZKIYA: Journal of Psychology 8, no.1 (April15, 2020): 1–8. http://dx.doi.org/10.15408/tazkiya.v8i1.14851.

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AbstractIn practicing worship almost all Muslims run in the same manner but in Indonesia also found the diversity of the face of Islam. One form of diversity is how to see religion as a political ideology. From various views political ideologies based on Islamic religion have polarizations, namely secular and radical Islamism. How to explain the diversity of ideologies based on individual differences. Jost et al (2009) offer three basic needs that determine individual ideological differences, namely the need for epistemic, the need for existential, and the need for relational. In addition to differences in the concept of fundamental needs, studies also show a relationship between personality types and ideological or political attitudes. Duckitt & Sibley (2010) offers a dual-process motivational model that explains that political ideology is formed due to interactions between personalities and different social situations. Many studies have been conducted to see the relationship between ideology with liberal and conservative polarization (right / left) or right wing authoritarianism (RWA) and social dominance orientation (SDO) with different needs or personality types (Jost, Ledgerwood, & Hardin, 2008; Jost et al., 2007; Sibley, Osborne, & Duckitt, 2012). However, no research has been conducted on political ideologies based on religion, especially Islam. The study was conducted on 243 Muslims and aged 17 years and over. Questionnaires were distributed in the Greater Jakarta area online and offline. The sampling technique used convenience sampling. Then the data is processed using regression analysis techniques. The results showed that together, the need for epistemic, need for existential, need for relational, and Big five personality influenced Islamic political ideology with a contribution of 7.2%. Significant predictors of the relationship are need for existential and need for relational. AbstrakDalam pelaksanaan ibadah hampir semua umat Islam menjalankan dengan tata cara yang sama namun di Indonesia ditemukan juga keanekaragaman wajah Islam. Salah satu bentuk keanekaragaman tersebut adalah bagaimana melihat agama sebagai suatu ideologi politik. Dari berbagai macam pandangan dapat dilihat bahwa ideologi politik yang berbasis agama Islam memiliki polarisasi yaitu sekuler dan radikal Islamisme. Bagaimana menjelaskan keragaman ideologi tersebut berdasarkan perbedaan individual. Jost dkk (2009) menawarkan adanya tiga kebutuhan mendasar yang menentukan perbedaan ideologi individu yaitu need for epistemic, need for existential, dan need for relational. Selain pada perbedaan pada konsep kebutuhan mendasar, studi juga menunjukkan adanya hubungan tipe kepribadian dan ideologi atau sikap politik. Duckitt & Sibley (2010) menawarkan model dual-process motivational yang menjelaskan bahwa ideologi politik terbentuk akibat interaksi antara kepribadian dan situasi sosial yang berbeda. Studi telah banyak dilakukan untuk melihat hubungan ideologi dengan polarisasi liberal dan konservatif (kanan/kiri) atau right wing authoritarianism (RWA) dan social dominance orientation (SDO) dengan perbedaan kebutuhan atau tipe kepribadian (Jost, Ledgerwood, & Hardin, 2008; Jost et al., 2007; Sibley, Osborne, & Duckitt, 2012). Namun demikian, belum ada riset yang dilakukan pada ideologi politik yang berlandaskan pada agama terutama Islam. Studi dilakukan pada 243 Muslim dan berumur 17 tahun ke atas. Kuesioner disebarkan di daerah Jabodetabek secara daring dan luring. Teknik pengambilan sampel digunakan convenience sampling. Kemudian data diolah dengan teknik analisis regresi. Hasil penelitian menunjukkan secara bersama-sama, need for epistemic, need for existential, need for relational, dan Big five personality mempengaruhi ideologi politik Islam dengan kontribusi sebesar 7,2 %. Prediktor yang signifikan hubungannya adalah need for existential dan need for relational.

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Sibuea, Petrus, Jijon Raphita Sagala, and Asaziduhu Gea. "Penerapan Sistem Pakar Untuk Pengecekan Kerusakan CCTV Dengan Metode Certainty Factor." JURNAL ARMADA INFORMATIKA 2, no.2 (December18, 2018): 132–43. http://dx.doi.org/10.36520/jai.v2i2.29.

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Abstrak Penelitian ini adalah penelitian tentang sistem pakar yang dirancang untuk membantu atau mempermudah kinerja teknisi maupun costumer. Sistem ini dapat melakukan pengecekan ataupun mendiagnosa kerusakan pada CCTV. Sistem pakar yang dibangun ini mampu mendeteksi 14 jenis kerusakan yang terdapat pada CCTV. kerusakan yang dapat dilakukan untuk pengecekan antara lain chipset VGA/HDMI DVR rusak, tampilan chanel bercahaya terang, kabel HDMI/VGA terputus, adaptor camera mati, hardisk error, dvr mati, kabel putus atau rusak, connector bnc longgar, connector power rusak, adaptor kurang voltase, kabel CCTV induksi listrik, lensa camera kotor, infraret kamera rusak, listrik tidak stabil. Hasil pengecekan kerusakan CCTV adalah berupa jenis kerusakan, nilai persentase kerusakan, jenis gejala, beserta solusi yang ditawarkan oleh sistem pakar. Sistem pakar ini menerapkan atau mengaplikasikan metode certainty factor pada proses perhitungannya. Metode certainty factor merupakan salah satu metode yang terdapat pada sistem pakar yang dapat menghitung atau mengolah nilai-nilai probabilitas setiap gejala, yang dihitung menggunakan rumus certainty factor sehingga menghasilkan kesimpulan berupa jenis kerusakan dan nilai persentase dari setiap gejala yang ada pada CCTV. Kata Kunci: sistem pakar, kerusakan cctv, hikvision, certainty factor Abstract This study is a research on expert systems designed to help or facilitate the performance of technicians and customers. This system can check or diagnose damage to CCTV. This expert system that is built is able to detect 14 types of damage found on CCTV. damage that can be done to check include VGA / HDMI DVR chipset broken, bright luminous channel display, HDMI / VGA cable disconnected, camera adapter off, hard drive error, DVR dead, cable broken or damaged, BNC connector loose, power connector broken, adapter less voltage, CCTV cable electric induction, dirty camera lens, infraret camera is damaged, electricity is unstable. The result of CCTV damage checking is in the form of type of damage, percentage damage value, type of symptom, along with solutions offered by expert systems. This expert system applies or applies the certainty factor method to the calculation process. The method of certainty factor is one of the methods found in the expert system that can calculate or process the probability values ​​of each symptom, which is calculated using the certainty factor formula to produce a conclusion of the type of damage and the percentage value of each symptom that is on CCTV. Keywords: expert system, cctv damagee, hikvision, certainty factor

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Febriyanti, Eka, Dedi Priadi, and Rini Riastuti. "Pengaruh Peningkatan Derajat Deformasi Canai Hangat Terhadap Karakteristik Deformation Band Paduan Cu-Zn 70/30." Material Komponen dan Konstruksi 15, no.2 (February22, 2019): 9. http://dx.doi.org/10.29122/mkk.v15i2.3373.

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Abstract Cu-Zn 70/30 alloy has properties that is relatively soft, ductile, and easy to perform by cold working. However, cold working has the disadvantage that require equipment which has higher loading capacity to generate strength and higher density thus increasing of machining cost. In addition, strain hardening phenomenon due to cold working process resulted in decreasing of ductility material. Therefore, it is necessary alternative fabrication processes to optimize the mechanical properties of Cu-Zn alloy 70/30 that with the TMCP method. TMCP is metal forming material by providing large and controlled plastic strain to the material. TMCP using the deformation percentage variation that 32.25%, 35.48%, and 38.7% from hot rolled research at 500°C temperature in double pass reversible which performed on Cu-Zn 70/30 plate. By tensile testing using universal testing machine can be seen that the Cu-Zn 70/30 alloy on 32.25% degree of deformation, both of UTS and YS respectively are 505 MPa and 460 MPa. Whereas from examination of thickness and density deformation bands by FE-SEM shows denser and thicker deformation band proportional with increasing of deformation degree.Moreover, the values of tensile strength at the edge of the area and the center is directly proportional to the density and thickness of the deformation band. Paduan Cu-Zn 70/30 memiliki sifat yang relatif lunak, ulet, dan mudah dilakukan pengerjaan dingin. Namun, pengerjaan dingin memiliki kekurangan yaitu membutuhkan peralatan yang memiliki kapasitas pembebanan tinggi untuk menghasilkan kekuatan dan kepadatan tinggi sehingga meningkatkan biaya permesinan. Selain itu, fenomena pengerasan regang akibat proses pengerjaan dingin menghasilkan penurunan keuletan material. Oleh karena itu, diperlukan alternatif proses fabrikasi untuk mengoptimalkan sifat mekanik paduan Cu-Zn 70/30 salah satunya dengan metode TMCP. TMCP merupakan suatu proses perubahan bentuk suatu material dengan cara memberikan regangan plastis yang besar dan terkontrol terhadap material. TMCP dengan menggunakan variasi persentase deformasi sebanyak 32,25%, 35,48%, dan 38,70% dari penelitian canai hangat di suhu 500oC secara double pass reversible dilakukan pada pelat paduan Cu-Zn 70/30. Dengan melakukan pengujian tarik menggunakan mesin uji tarik universal testing machine dapat dilihat bahwa pada material paduan Cu-Zn 70/30 pada derajat deformasi 32,25% menghasilkan nilai UTS dan YS masing-masing sebesar 505 MPa dan 460 MPa. Sedangkan dari hasil pengamatan ketebalan dan kerapatan deformation band menggunakan FE-SEM menunjukkan deformation band yang lebih rapat dan lebih tebal sebanding dengan semakin meningkatnya derajat deformasi. Selain itu, nilai kekuatan tarik pada daerah tepi dan tengah berbanding lurus dengan kerapatan dan ketebalan deformation band. Keywords: 70/30 Cu-Zn alloy, warm rolled, deformation degree, deformation bands

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Yuniati, Wiwik Misaco, and Bambang Sektari Lukiswanto. "Potensi Salep Epigallocatechin gallate terhadap Proses Kesembuhan Luka Bakar Derajat II pada Kulit Tikus Putih (THE POTENTIAL OF EPIGALLOCATECHIN GALLATE OINTMENT TO THE WOUND HEALING PROCESS OF SECOND DEGREE SKIN BURNS ON THE ALBINO RATS)." Jurnal Veteriner 20, no.1 (May24, 2019): 1. http://dx.doi.org/10.19087/jveteriner.2019.20.1.1.

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Burns are one of the health problems in modern society that are associated with tissue damage that is difficult to repair and affect patients, both physically and psychologically. This study was conducted to evaluate the potential of epigallocatechin gallate (EGCG ) ointment to the healing process of second degree skin burn induced by attaching 85ºC plate with 1 cm of diameter for 5 second on the skin of albino rat (Rattus norvegicus). Twenty-five rats were divided into 5 treatment groups. The P0 group was a group of rat that suffered burns and were treated with ointment base (PEG). The P1 group was a group of rat that suffered burns and were given standard therapy with silver sulfadiazine. P2, P3 and P4 groups are groups of rat that have burns and are treated with EGCG ointments with concentrations of 1%, 2%, and 4% respectively. At the end of the study, skin tissue excision was carried out to make histopathological preparations using HE staining. Evaluation of histopathological preparations was carried out on reepithelialization collagen deposition, PMN infiltration, and angiogenesis. The results of the study in group P4 showed that the highest collagen formation and re-epithelialization process was accompanied by a marked decrease in the inflammatory process and angiogenesis. This condition is significantly different from groups P0, P1, P2, and P3. Healing second degree burns with 4% EGCG is better than other treatmentJurnal Veteriner Maret 2019 Vol. 1 No. 1 : 1-7 pISSN: 1411-8327; eISSN: 2477-5665 DOI: 10.19087/jveteriner.2019.20.1.1 Terakreditasi Nasional, Dirjen Penguatan Riset dan Pengembangan, online pada http://ojs.unud.ac.id/index.php/jvet Kemenristek Dikti RI S.K. No. 36a/E/KPT/20162Proses kesembuhan luka bakar merupakan fenomena kompleks untuk mengembalikan kontinuitas jaringan dan fungsinya. Kesembuhan luka melibatkan beberapa fase yang berbeda dan saling tumpang tindih, yaitu fase inflamasi, granulasi, fibrogenesis, neo-vaskularisasi, kontraksi luka dan epithelialisasi (Robson, 1997). Penatalaksanaan luka bakar yang efektif memerlukan pemahaman proses kesembuhan luka normal dan mampu memilih intervensi yang tepat untuk mengoptimalkan proses kesembuhan luka (Snyder, 2005). Pada proses kesembuhan luka, inflamasi terjadi segera setelah jejas, diawali dengan vasokonstriksi yang berperan dalam proses hemostasis dan pelepasan mediator inflamasi. Fase proliferasi ditandai dengan terbentuknya jaringan granulasi oleh fibroblas dan proses angiogenesis. Reformulasi dan perbaikan kompartemen serabut kolagen yang disertai dengan penigkatan tensile strength menandai fase remodeling (Varoglu et al., 2010). Faktor yang memiliki peran penting pada tertundanya proses kesembuhan luka antara lain, trauma berulang, perfusi dan oksigenasi yang buruk serta inflamasi yang berlebihan (Harding et al., 2003)). Penggunaan bahan alamiah untuk pengobatan luka merupakan bagian penting dari penatalaksanaan kesehatan dan metode baik untuk menyediakan pilihan layanan kesehatan yang murah dan efektif (Gurung et al., 2009; Suntar et al., 2010). Beberapa penelitian menggunakan polifenol yang berasal dari teh hijau sebagai penyembuh alami sebagai agen anti penuaan, antiinflamasi, antikanker, antioksidan dan antidiabetes (Obaid et al., 2011). Beberapa penelitian dengan menggunakan Epigallocatechin gallate (EGCG), sebagai salah satu polifenol yang terkandung dalamteh hijau, membuktikan sejumlah efek biologis EGCG sebagai antioksidan, antimikrob, antiinflamasi, antialergi dan antineoplastik yang aktif (Hosnuter et al., 2015). Teh hijau memiliki manfaat yang beragam, antara lain mencegah kanker, meningkatkan kesehatan jantung dan pembuluh darah, melindungi kulit dari kerusakan yang disebabkan karena radiasi dan penyebab yang lain. Manfaat ini disebabkan karena the hijau yang mengandung EGCG memiliki aktivitas antioksidan, antiinflamasi dan antibakteri yang cukup kuat. Berdasarkan hal tersebut, tidak menutup kemungkinan bahwa EGCG dapat membantu percepatan proses kesembuhan luka bakar pada kulit (Nagle et al., 2006). Berdasarkan uraian tersebut, penelitian ini dilaksanakan untuk melihat pengaruh pemberian salep EGCG terhadap proses kesembuhan luka bakar pada tikus putih (Rattus norvegicus) jantan.METODE PENELITIAN Kelayakan Etik Penelitian ini dilaksanakan setelah mendapatkan persetujuan dari komisi etik Fakultas Kedokteran Hewan, Universitas Airlangga. Tempat Penelitian Penelitian ini dilakukan di Laboratorium Hewan Percobaan di Fakultas Kedokteran Universitas Airlangga, Surabaya. Persiapan dan pembuatan salep dilakukan di Fakultas Farmasi, Universitas Airlangga. Pembuatan dan pemeriksaan preparat histopatologis dilakukan di Laboratorium Patologi Anatomi, Fakultas Kedokteran Hewan, Universitas Airlangga. Hewan Eksperimental Sebanyak 25 ekor tikus putih (Rattus norvegicus) jantan, umur tiga bulan dengangroups. This is presumably because the compounds contained therein have antioxidant activity, antiinflammatory and antibacterial. These three activities will synergize in the process of healing wounds. Provision of 4% EGCG ointment for 14 days in second degree burns can accelerate the wound healing process which is characterized by improved re-epithelialization, collagen deposition, PMN infiltration in the wound area, and angiogenesis.

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Iswara, Raja Al Fath Widya, Arif Rahman Sadad, Intarniati Nur Rohmah, and Sigid Kirana Lintang Bhima. "Kematian Mendadak Akibat Kardiomiopati Hipertrofi Pada Dewasa Muda." Medica Hospitalia : Journal of Clinical Medicine 7, no.2 (November19, 2020): 470–75. http://dx.doi.org/10.36408/mhjcm.v7i2.522.

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Latar Belakang : Kematian mendadak merupakan kasus yang paling sering terjadi dan dapat ditemukan dalam berbagai macam kondisi. Penyebab kematian mendadak terbanyak adalah sistem kardiovaskular dan salah satu kelainan yang jarang terjadi adalah kardiomiopati hipertrofi. Kardiomiopati hipertrofi merupakan kelainan jantung yang ditandai dengan hipertrofi miokardial akibat mutasi sarkomer dengan angka kejadian 1 dari 500 orang dewasa. Temuan utama pada kardiomiopati hipertrofi antara lain adanya hipertofi ventrikel dan atau septum interventrikel, kerusakan miosit dan peningkatan fibrosis miokardium. Terdapat variasi manifestasi klinis pada Kardiomiopati hipertrofi, dari asimptomatik hingga mengakibatkan kematian mendadak akibat gagal jantung. Tujuan laporan kasus ini adalah mengetahui diagnosis kematian akibat kardiomiopati hipertrofi pada dewasa muda. Kasus : Seorang laki-laki usia 18 tahun ditemukan meninggal di kamar kostannya dibawa ke kamar jenazah RSUP dr. Kariadi Semarang untuk diotopsi. Pemeriksaan luar tidak ditemukan tanda-tanda kekerasan. Pemeriksaan dalam didapatkan adanya jendalan darah dalam ventrikel, hipertrofi ventrikel kiri, penebalan pada katub jantung, pengerasan pada otot jantung dan penggantung katub serta tanda asfiksia. Pemeriksaan histopatologi menunjukkan kardiomiopati hipertrofi. Pembahasan : Patogenesis kardiomiopati hipertrofi dapat menyebabkan asfiksia yaitu terjadinya mutasi intrasarkomer yang meningkatkan peningkatan sensitivitas dan produksi Calsium yang mengakibatkan peningkatan kontraksi miokardium sehingga menyebabkan hipertrofi ventrikel kiri. Selain itu juga terjadi peningkatan sintesis kolagen yang mengakibatkan terjadinya fibrosis miokard yang menyebabkan hipertrofi ventrikel kiri. Terjadinya hipertrofi ventrikel kiri jangka panjang akan menyebabkan kondisi gagal jantung yang dapat mengakibatkan asfiksia. Simpulan : Kematian mendadak akibat kardiomiopati hipertrofi merupakan hal yang jarang. Oleh karena itu dibutuhkan otopsi yang teliti dan pemeriksaan histopatologi untuk mendiagnosis dengan pasti. Kata Kunci : Kematian mendadak, kardiomiopati hipertrofi, dewasa muda, sarkomer Background : Sudden death is the most common case and can be found in a variety of conditions. The most common cause of death is the cardiovascular system and a rare one disorders is hypertrophic cardiomyopathy. Hypertrophy cardiomyopathy is a heart disorder characterized by myocardial hypertrophy due to sarcomere mutations with an incidence of 1 in 500 adults. The main findings in hypertrophic cardiomyopathy include the presence of ventricular hypertrophy and / or interventricular septum, myocyte damage and increased myocardial fibrosis. There are variations in clinical manifestations in hypertrophic cardiomyopathy, from asymptomatic to sudden death due to heart failure. The purpose of this case report is to know the diagnosis of sudden death due to hypertrophic cardiomyopathy in young adults Case : A 18-year-old man was found dead in his boarding room. On the external examination there were no signs of violence. On the internal examination in the presence of blood in the ventricles, left ventricular hypertrophy, thickening of the entire heart valve, hardening of the heart muscle and hanging valves and signs of asphyxia. Histopathological examination showed hypertrophic cardiomyopathy. Discussion : The pathogenesis of hypertrophic cardiomyopathy can cause asphyxia is the occurrence of intrasarcomere mutations that increase the sensitivity and production of calcium which results in increased contraction of the myocardium causing left ventricular hypertrophy. In addition there is also an increase in collagen synthesis which results in the occurrence of myocardial fibrosis which causes left ventricular hypertrophy. The occurrence of long-term left ventricular hypertrophy will cause a condition of heart failure which can lead to asphyxia. Conclusion : Sudden death due to hypertrophic cardiomyopathy is rare one. Therefore a careful autopsy is needed and histopathological examination is needed to get definitive diagnose. Keywords : Sudden death, hypertrophic cardiomyopathy, young adults, sarcomere

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Nugroho, Aris Dwi, Tantan Hidayat, and Muhammad Wachyudi Memed. "IMPLEMENTASI PERMEN ESDM NO. l7 TAHUN 20l2 SEBAGAI SOLUSI ANTARA PENGUSAHAAN MINERAL DAN PERLINDUNGAN KAWASAN KARST DI INDONESIA." Prosiding Temu Profesi Tahunan PERHAPI 1, no.1 (March29, 2020): 847–62. http://dx.doi.org/10.36986/ptptp.v1i1.126.

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ABSTRAKSemen adalah serbuk atau tepung yang terbuat dari kapur dan material lainnya yang dipakai untuk membuat beton, merekatkan batu bata ataupun membuat tembok (Kamus Besar Bahasa Indonesia, 2008). Semen merupakan suatu bahan yang bersifat hidrolis, yaitu bahan yang akan mengalami proses pengerasan pada pencampurannya dengan air ataupun larutan asam. Bahan baku pembuatan semen antara lain : clinker/terak semen sebanyak 70% - 95% (hasil olahan pembakaran batu kapur, pasir silika, pasir besi dan tanah liat), gypsum 5% dan material tambahan lain (batu kapur, pozzolan, abu terbang dan lain- lain). Seiiring dengan peningkatan pembangunan insfrastruktur yang menjadi fokus Pemerintah saat ini, maka kebutuhan bahan baku bangunan khususnya semen mengalami peningkatan. Peningkatan kebutuhan ini membuat perusahaan semen meningkatkan produksi yang pada akhirnya juga akan mengurangi cadangan batugamping yang ada di alam. Sumber daya geologi terdiri atas sumber daya mineral, sumber daya energi, sumber daya air, dan bentang alam. Batugamping sebagai salah satu bahan baku dominan pembuatan semen merupakan sumber daya mineral dan bentang alam yang harus dilindungi. Kementerian Energi dan Sumber Daya Alam sejak tahun 2012 telah menerbitkan aturan terkait pemanfaatan dan perlindungan Kawasan Bentang Alam Karst (Permen ESDM N0. 17 Tahun 2012). Perlindungan terhadap Kawasan Bentang Alam Karst bertujuan untuk melindungi fungsinya sebagai pengatur alami tata air dan keunikan/nilai ilmiah dalam pengembangan ilmu pengetahuan. Sedangkan upaya pemanfaatan sebagai bahan galian maupun bahan baku industri diatur deliniasinya, sehingga tidak menganggu zona konservasi. Diharapkan dengan keluarnya Permen ESDM N0. 17 Tahun 2012 dapat menjadi solusi bagi pemanfaatan dan perlindungan Kawasan Bentang Alam Karst di Indonesia. Kata kunci: Sumber daya geologi, Semen, Kawasan Bentang Alam Karst ABSTRACTCement is powder made from lime and other materials used to make concrete, glue bricks or make walls (KBBI, 2008). Cement is a material that is hydraulic in nature, that is, a material which will undergo a hardening process in its mixing with water or acid solution. The raw materials for making cement include: clinker I slag of cement as much as 70% - 95% (the results of the combustion of limestone, silica sand, iron sand and clay), 5% gypsum and other additional materials (limestone, pozzolan, fly ash and etc). Along with the increase in infrastructure development which is the focus of the Government at this time, the need for building materials, especially cement, has increased. This increase in demand has made cement companies increase production, which in turn will also reduce the limestone reserves that exist in nature. Geological resources consist of mineral resources, energy resources, water resources, and landscapes. Limestone as one of the dominant raw materials for making cement is a mineral and landscape resource that must be protected.The Ministry of Energy and Natural Resources since 2012 has issued regulations relating to the use and protection of Karst Landscape Areas (Permen ESDM No. 17 of 2012). Protection of the Karst Landscape Area aims to protect its function as a natural regulator of the water system and its unique I scientific value in the development of science. Meanwhile, the delineation of utilization efforts as minerals and industrial raw materials is regulated so that it does not disturb the conservation zone. Expected with the regulations (Permen ESDM No. 17 of 2012) can be a solution for the use and protection of the Karst Landscape in Indonesia. Keywords: Geological resources, Cement, Karst Landscape Area

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Pasaribu, Hadianti Muhdinar. "ANALISIS DEFORMASI GALIAN DALAM PADA TITIK TEPI DINDING DIAFRAGMA DENGAN METODE ELEMEN HINGGA MELALUI STUDI EVALUASI MODEL TANAH." Educational Building 4, no.1 (June29, 2018). http://dx.doi.org/10.24114/eb.v4i1.10038.

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Banyaknya pembangunan infrastruktur yang merupakan salah satu tolak ukur kemajuan suatu daerah menyebabkan terjadinya penyempitan lahan didaerah tersebut. Sehingga pemanfaatan ruang dan lahan sangat dibutuhkan untuk menunjang kemajuan pesatnya pembangunan infrastruktur. Salah satu inovasi terbaik dalam mengatasi masalah keterbatasan lahan adalah membuat bangunan bawah tanah sehingga memberi ruang yang lebih untuk pembangunan. Pembangunan yang cukup terbaru di Indonesia saat ini adalah pembangunan MRT (Mass Rapid Transit) yang dilakukan di Jakarta. Pembangunan ini dalam pelaksanaannya membutuhkan proses konstruksi terowongan (tunneling) dan galian dalam untuk tiap stasiunnya. Pada penelitian ini, penulis terpusat terhadap masalah galian dalam pada stasiun Senayan dari proyek konstruksi MRT Jakarta. Permasalahan terbesar dalam suatu pekerjaan galian dalam adalah adanya deformasi lateral pada dinding bangunan bawah tanah dalam hal ini yang digunakan adalah dinding diafragma (D-Wall) dan juga adanya penurunan tanah disekitar galian. Oleh karena itu, perlu dilakukan pengecekan agar tidak terjadi keruntuhan. Metode konstruksi yang digunakan pada stasiun Senayan adalah metode konstruksi Top-Down. Pada penelitian ini dilakukan analisis deformasi horizontal dan penurunan tanah menggunakan software Plaxis 3D dengan dua pemodelan tanah, yaitu model tanah Mohr Coulomb dan Hardening Soil. Hasil deformasi horizontal yang diperoleh menggunakan model tanah Hardening Soil lebih mendekati monitoring dilapangan dibandingkan dengan model tanah Mohr-Coulomb. Penelitian ini berfokus pada bagian-bagian tepi pada dinding diafragma melengkapi jurnal sebelumnya yang berfokus pada titik tengah dari dinding diafragma. Besarnya deformasi horizontal pada tahap akhir galian (penimbunan kembali tanah hingga dasar muka tanah) di titik P#80 (di tepi dinding diafragma) tercatat pada monitoring inclinometer sebesar 4.15 mm, dan deformasi yang dihasilkan menggunakan model Hardening Soil sebesar 9.57 mm sedangkan menggunakan model Mohr-Coulomb sebesar 16.05 mm. Hasil deformasi horizontal yang diperoleh menggunakan model tanah Hardening Soil lebih mendekati monitoring dilapangan dibandingkan dengan model tanah Mohr-Coulomb meskipun hasil yang diperoleh cukup jauh dari monitoring dilapangan. Kata Kunci : Galian Dalam, Deformasi Horizontal, Model Mohr Coulomb, Model Hardening Soil, Plaxis 3D The number of infrastructure development which is one of the benchmarks of the progress of a region causes the narrowing of land in the area. So that the utilization of space and land is needed to support the rapid progress of infrastructure development. One of the best innovations in overcoming the problem of land limitations is to make the underground building giving more space for development. The most recent development in Indonesia today is the construction of MRT (Mass Rapid Transit) conducted in Jakarta. This development in its implementation requires tunneling and deep trenching process for each station. In this study, the authors centered on the deep trenching problems at the Senayan station from the Jakarta MRT construction project. The biggest problem in a deep trenching work is the lateral deformation of underground building walls in this case which is used diaphragm wall (D-Wall) and also the decrease of soil around the excavation. Therefore, it is necessary to check to avoid collapse. The construction method used in Senayan station is a Top-Down construction method. In this research, horizontal deformation and soil degradation analysis using Plaxis 3D software with two soil modeling, Mohr Coulomb and Hardening Soil soil model. The result of the horizontal deformation obtained using Soil Hardening Soil model is closer to monitoring the field compared to the Mohr-Coulomb soil model. This study focuses on the edges of the diaphragm wall complementing the previous journal focusing on the midpoint of the diaphragm wall. The magnitude of the horizontal deformation at the final stages of excavation (backfill) to P # 80 (on the edge of the diaphragm wall) was recorded in inclinometer monitoring of 4.15 mm, and the resulting deformation using the Hardening Soil model of 9.57 mm while using the Mohr model -Coulomb of 16.05 mm. The horizontal deformation results obtained using the Soil Hardening Soil model is closer to the field monitoring than the Mohr-Coulomb soil model although the results obtained are quite far from the field monitoring.Keywords: Deep Excavation, Horizontal Deformation, Mohr Coulomb Model, Hardening Soil Model, Plaxis 3D.

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Febriyanti, Eka, Amin Suhadi, Ahmad Fadli, and Rini Riastuti. "Pengaruh Waktu Tahan ketika Proses Thermo Mechanical Controlled Process (TMCP) terhadap Sifat Mekanik dan Fenomena Anneal Hardening Paduan Cu-Zn 70/30." Piston: Journal of Technical Engineering 4, no.1 (July15, 2020). http://dx.doi.org/10.32493/pjte.v4i1.7352.

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Paduan Cu-Zn 70/30 memiliki sifat konduktivitas panas dan listrik yang sangat baik serta mampu bentuk yang baik. Cu-Zn 70/30 sangat luas digunakan sebagai core dan tank radiator otomotif, komponen amunisi, maupun perangkat bangunan dan arsitektur. Thermo-Mechanical Controlled Processing (TMCP) adalah salah satu metode rangkaian pengontrolan pemanasan dan pembentukan dengan tujuan meningkatkan kualitas sifat material. Oleh karena itu, pada penelitian ini digunakan metode TMCP dengan canai hangat untuk meningkatkan sifat mekanik paduan Cu-Zn 70/30. Proses canai dilakukan dengan metode bolak-balik dengan deformasi sebesar 60% (30%-30%) dimana pada setiap pass-nya paduan Cu-Zn dipanaskan terlebih dahulu pada temperatur 300°C dengan waktu tahan berbeda mulai dari 30, 60, dan 120 menit. Berdasarkan hasil penelitian didapatkan kesimpulan bahwa dengan semakin lamanya waktu pemanasan dan kemudian dideformasi lebih lanjut maka terjadi penurunan mencapai 36,5 μm yang berpengaruh pada peningkatan kekerasan sebesar 174,12 HV dan kekuatan tarik mencapai 525,4 MPa pada waktu tahan 120 menit. Ditambah lagi, terdapat indikasi adanya fenomena Anneal Hardening karena tersegregasinya atom terlarut pada dislokasi atau batas butir sehingga memberikan pengaruh yang cukup signifikan terhadap nilai kekerasan dan kekuatan tarik paduan Cu-Zn 70/30. Kata kunci: paduan Cu-Zn 70/30, TMCP, waktu tahan, sifat mekanis, anneal hardening

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"Buchbesprechungen." Zeitschrift für Historische Forschung: Volume 48, Issue 1 48, no.1 (January1, 2021): 87–210. http://dx.doi.org/10.3790/zhf.48.1.87.

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Madao, Devianingsih Andikha, A.E.Mongan, and F.Manoppo. "HUBUNGAN ANTARA LAMA PENGGUNAAN ASPIRIN DENGAN NILAI AGREGASI TROMBOSIT PADA PASIEN HIPERTENSI DI RSUP PROF. DR. R. D. KANDOU MANADO." Jurnal e-Biomedik 2, no.2 (May15, 2014). http://dx.doi.org/10.35790/ebm.2.2.2014.5110.

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Abstract: The sufferer of hypertension around the world do not get medical treatment adequately. One of the hypertensive treatments is by the use of anti platelet hypertension aspirin. Aspirin on hypertension is to prevent any clinical manifestation from cardiovascular from happening. However, it could cause arterial wall hardening and decreases haemostasis ability. Test of red blood cell aggregation function is needed to monitor red blood cell function on hypertensive patient. Method: This study was analytical and employed cross sectional research design. The sample of the study were the sufferers of hypertensionfromaspirin usage treated in polyclinic of nephrology – hypertension and heart and cardiac polyclinic of internal diseasedivision in RSUP Prof. Dr. R. D. Kandou Manado. Patients included in inclusion criteria were 40 to 80 years old, proven to have hypertension by doctor, hypertension by aspirin usage, maleand female, and signed in informed consent. Result: There were 20 patients of hypertension by aspirin usage employed as sample in this study. Result of T test and spearman’s correlation test showed that there is no significant correlation between aspirin usage and the number of red blood cells’ aggregation (ADP 10µm p = 0,116, ADP 5µm p = 0,9). Conclusion: On hypertensive patients, there is no correlation between the period of aspirin usage and red blood cells’ aggregation. Keywords: hypertension, aspirin, red blood aggregation. Abstrak: Penderita hipertensi di seluruh dunia tidak mendapatkan pengobatan secara adekuat. Salah satu pengobatan hipertensi dengan penggunaan antiplatelet hipertensi aspirin.Aspirin pada hipertensi berguna untuk mencegah terjadinya manifestasi klinis dari kardiovaskular, tetapi dapat menyebabkan terjadi pengerasan dinding arteri dan terjadinya penurunan kemampuan hemostasis.Tes fungsi agregasi trombosit diperlukan untuk memantau fungsi trombosit pada pasien hipertensi. Metode: Penelitian ini bersifat analitik dengan rancang penelitian cross sectional. Sampel penelitian adalah penderita hipertensi dengan penggunaan aspirin yang ada di Poliklinik Nefrologi – Hipertensi dan Poliklinik Jantung dan Pembuluh Darah bagian Ilmu Penyakit Dalam RSUP Prof. Dr. R. D. Kandou Manado. Pasien yang masuk kriteria inklusi yaitu usia 40-80 tahun, terbukti hipertensi oleh dokter, hipertensi dengan penggunaan aspirin, jenis kelamin laki-laki dan perempuan, dan menandatangani informed consent. Hasil: Terdapat 20 pasien hipertensi dengan penggunaan aspirin yang menjadi sampel dalam penelitian ini. Hasil uji T juga spearman’s correlation test didapatkan bahwa tidak terdapat hubungan yang signifikan antara penggunaan aspirin dengan nilai agregasi trombosit (ADP 10µm p = 0,116, ADP 5µm p = 0,9). Simpulan: Pada pasien Hipertensi, lama penggunaan aspirin dan nilai agregasi trombosit tidak mempunyai hubungan. Kata kunci: Hipertensi, aspirin, agregasi trombosit.

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Febriyanti, Eka, Dedi Priadi, and Rini Riastuti. "PENGARUH PENINGKATAN DERAJAT DEFORMASI CANAI HANGAT TERHADAP KARAKTERISTIK DEFORMATION BAND PADUAN Cu-Zn 70/30." Material Komponen dan Konstruksi 16, no.1 (June1, 2016). http://dx.doi.org/10.29122/mkk.v16i1.3286.

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Cu-Zn 70/30 alloy has properties that is relatively soft, ductile, and easy to perform by cold working. However, cold working has the disadvantage that require equipment which has higher loading capacity to generate strength and higher density thus increasing of machining cost. In addition, strain hardening phenomenon due to cold working process resulted in decreasing of ductility material. Therefore, it is necessary alternative fabrication processes to optimize the mechanical properties of Cu-Zn alloy 70/30 that with the TMCP method. TMCP is metal forming material by providing large and controlled plastic strain to the material. TMCP using the deformation percentage variation that 32.25%, 35.48%, and 38.7% from hot rolled research at 500°C temperature in double pass reversible which performed on Cu-Zn 70/30 plate. By tensile testing using universal testing machine can be seen that the Cu-Zn 70/30 alloy on 32.25% degree of deformation, both of UTS and YS respectively are 505 MPa and 460 MPa. Whereas from examination of thickness and density deformation bands by FE-SEM shows denser and thicker deformation band proportional with increasing of deformation degree.Moreover, the values of tensile strength at the edge of the area and the center is directly proportional to the density and thickness of the deformation band.AbstrakPaduan Cu-Zn 70/30 memiliki sifat yang relatif lunak, ulet, dan mudah dilakukan pengerjaan dingin. Namun, pengerjaan dingin memiliki kekurangan yaitu membutuhkan peralatan yang memiliki kapasitas pembebanan tinggi untuk menghasilkan kekuatan dan kepadatan tinggi sehingga meningkatkan biaya permesinan. Selain itu, fenomena pengerasan regang akibat proses pengerjaan dingin menghasilkan penurunan keuletan material. Oleh karena itu, diperlukan alternatif proses fabrikasi untuk mengoptimalkan sifat mekanik paduan Cu-Zn 70/30 salah satunya dengan metode TMCP. TMCP merupakan suatu proses perubahan bentuk suatu material dengan cara memberikan regangan plastis yang besar dan terkontrol terhadap material. TMCP dengan menggunakan variasi persentase deformasi sebanyak 32,25%, 35,48%, dan 38,70% dari penelitian canai hangat di suhu 500oC secara double pass reversible dilakukan pada pelat paduan Cu-Zn 70/30. Dengan melakukan pengujian tarik menggunakan mesin uji tarik universal testing machine dapat dilihat bahwa pada material paduan Cu-Zn 70/30 pada derajat deformasi 32,25% menghasilkan nilai UTS dan YS masing-masing sebesar 505 MPa dan 460 MPa. Sedangkan dari hasil pengamatan ketebalan dan kerapatan deformation band menggunakan FE-SEM menunjukkan deformation band yang lebih rapat dan lebih tebal sebanding dengan semakin meningkatnya derajat deformasi. Selain itu, nilai kekuatan tarik pada daerah tepi dan tengah berbanding lurus dengan kerapatan dan ketebalan deformation band.Keywords: 70/30 Cu-Zn alloy, warm rolled, deformation degree, deformation bands

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Pilcher, Jeremy, and Saskia Vermeylen. "From Loss of Objects to Recovery of Meanings: Online Museums and Indigenous Cultural Heritage." M/C Journal 11, no.6 (October14, 2008). http://dx.doi.org/10.5204/mcj.94.

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IntroductionThe debate about the responsibility of museums to respect Indigenous peoples’ rights (Kelly and Gordon; Butts) has caught our attention on the basis of our previous research experience with regard to the protection of the tangible and intangible heritage of the San (former hunter gatherers) in Southern Africa (Martin and Vermeylen; Vermeylen, Contextualising; Vermeylen, Life Force; Vermeylen et al.; Vermeylen, Land Rights). This paper contributes to the critical debate about curatorial practices and the recovery of Indigenous peoples’ cultural practices and explores how museums can be transformed into cultural centres that “decolonise” their objects while simultaneously providing social agency to marginalised groups such as the San. Indigenous MuseumTraditional methods of displaying Indigenous heritage are now regarded with deep suspicion and resentment by Indigenous peoples (Simpson). A number of related issues such as the appropriation, ownership and repatriation of culture together with the treatment of sensitive and sacred materials and the stereotyping of Indigenous peoples’ identity (Carter; Simpson) have been identified as the main problems in the debate about museum curatorship and Indigenous heritage. The poignant question remains whether the concept of a classical museum—in the sense of how it continues to classify, value and display non-Western artworks—will ever be able to provide agency to Indigenous peoples as long as “their lives are reduced to an abstract set of largely arbitrary material items displayed without much sense of meaning” (Stanley 3). Indeed, as Salvador has argued, no matter how much Indigenous peoples have been involved in the planning and implementation of an exhibition, some issues remain problematic. First, there is the problem of representation: who speaks for the group; who should make decisions and under what circumstances; when is it acceptable for “outsiders” to be involved? Furthermore, Salvador raises another area of contestation and that is the issue of intention. As we agree with Salvador, no matter how good the intention to include Indigenous peoples in the curatorial practices, the fact that Indigenous peoples may have a (political) perspective about the exhibition that differs from the ideological foundation of the museum enterprise, is, indeed, a challenge that must not be overlooked in the discussion of the inclusive museum. This relates to, arguably, one of the most important challenges in respect to the concept of an Indigenous museum: how to present the past and present without creating an essentialising “Other”? As Stanley summarises, the modernising agenda of the museum, including those museums that claim to be Indigenous museums, continues to be heavily embedded in the belief that traditional cultural beliefs, practices and material manifestations must be saved. In other words, exhibitions focusing on Indigenous peoples fail to show them as dynamic, living cultures (Simpson). This raises the issue that museums recreate the past (Sepúlveda dos Santos) while Indigenous peoples’ interests can be best described “in terms of contemporaneity” (Bolton qtd. in Stanley 7). According to Bolton, Indigenous peoples’ interest in museums can be best understood in terms of using these (historical) collections and institutions to address contemporary issues. Or, as Sepúlveda dos Santos argues, in order for museums to be a true place of memory—or indeed a true place of recovery—it is important that the museum makes the link between the past and contemporary issues or to use its objects in such a way that these objects emphasize “the persistence of lived experiences transmitted through generations” (29). Under pressure from Indigenous rights movements, the major aim of some museums is now reconciliation with Indigenous peoples which, ultimately, should result in the return of the cultural objects to the originators of these objects (Kelly and Gordon). Using the Native American Graves Protection and Repatriation Act of 1990 (NAGPRA) as an illustration, we argue that the whole debate of returning or recovering Indigenous peoples’ cultural objects to the original source is still embedded in a discourse that emphasises the mummified aspect of these materials. As Harding argues, NAGPRA is provoking an image of “native Americans as mere passive recipients of their cultural identity, beholden to their ancestors and the museum community for the re-creation of their cultures” (137) when it defines cultural patrimony as objects having ongoing historical, traditional or cultural importance, central to the Native American group or culture itself. According to Harding (2005) NAGPRA’s dominating narrative focuses on the loss, alienation and cultural genocide of the objects as long as these are not returned to their originators. The recovery or the return of the objects to their “original” culture has been applauded as one of the most liberating and emancipatory events in recent years for Indigenous peoples. However, as we have argued elsewhere, the process of recovery needs to do more than just smother the object in its past; recovery can only happen when heritage or tradition is connected to the experience of everyday life. One way of achieving this is to move away from the objectification of Indigenous peoples’ cultures. ObjectificationIn our exploratory enquiry about new museum practices our attention was drawn to a recent debate about ownership and personhood within the context of museology (Busse; Baker; Herle; Bell; Geismar). Busse, in particular, makes the point that in order to reformulate curatorial practices it is important to redefine the concept and meaning of objects. While the above authors do not question the importance of the objects, they all argue that the real importance does not lie in the objects themselves but in the way these objects embody the physical manifestation of social relations. The whole idea that objects matter because they have agency and efficacy, and as such become a kind of person, draws upon recent anthropological theorising by Gell and Strathern. Furthermore, we have not only been inspired by Gell’s and Strathern’s approaches that suggests that objects are social persons, we have also been influenced by Appadurai’s and Kopytoff’s defining of objects as biographical agents and therefore valued because of the associations they have acquired throughout time. We argue that by framing objects in a social network throughout its lifecycle we can avoid the recurrent pitfalls of essentialising objects in terms of their “primitive” or “traditional” (aesthetic) qualities and mystifying the identity of Indigenous peoples as “noble savages.” Focusing more on the social network that surrounds a particular object opens up new avenues of enquiry as to how, and to what extent, museums can become more inclusive vis-à-vis Indigenous peoples. It allows moving beyond the current discourse that approaches the history of the (ethnographic) museum from only one dominant perspective. By tracing an artwork throughout its lifecycle a new metaphor can be discovered; one that shows that Indigenous peoples have not always been victims, but maybe more importantly it allows us to show a more complex narrative of the object itself. It gives us the space to counterweight some of the discourses that have steeped Indigenous artworks in a “postcolonial” framework of sacredness and mythical meaning. This is not to argue that it is not important to be reminded of the dangers of appropriating other cultures’ heritage, but we would argue that it is equally important to show that approaching a story from a one-sided perspective will create a dualism (Bush) and reducing the differences between different cultures to a dualistic opposition fails to recognise the fundamental areas of agency (Morphy). In order for museums to enliven and engage with objects, they must become institutions that emphasise a relational approach towards displaying and curating objects. In the next part of this paper we will explore to what extent an online museum could progressively facilitate the process of providing agency to the social relations that link objects, persons, environments and memories. As Solanilla argues, what has been described as cybermuseology may further transform the museum landscape and provide an opportunity to challenge some of the problems identified above (e.g. essentialising practices). Or to quote the museologist Langlais: “The communication and interaction possibilities offered by the Web to layer information and to allow exploration of multiple meanings are only starting to be exploited. In this context, cybermuseology is known as a practice that is knowledge-driven rather than object-driven, and its main goal is to disseminate knowledge using the interaction possibilities of Information Communication Technologies” (Langlais qtd. in Solanilla 108). One thing which shows promise and merits further exploration is the idea of transforming the act of exhibiting ethnographic objects accompanied by texts and graphics into an act of cyber discourse that allows Indigenous peoples through their own voices and gestures to involve us in their own history. This is particularly the case since Indigenous peoples are using technologies, such as the Internet, as a new medium through which they can recuperate their histories, land rights, knowledge and cultural heritage (Zimmerman et al.). As such, new technology has played a significant role in the contestation and formation of Indigenous peoples’ current identity by creating new social and political spaces through visual and narrative cultural praxis (Ginsburg).Online MuseumsIt has been acknowledged for some time that a presence on the Web might mitigate the effects of what has been described as the “unassailable voice” in the recovery process undertaken by museums (Walsh 77). However, a museum’s online engagement with an Indigenous culture may have significance beyond undercutting the univocal authority of a museum. In the case of the South African National Gallery it was charged with challenging the extent to which it represents entrenched but unacceptable political ideologies. Online museums may provide opportunities in the conservation and dissemination of “life stories” that give an account of an Indigenous culture as it is experienced (Solanilla 105). We argue that in engaging with Indigenous cultural heritage a distinction needs to be drawn between data and the cognitive capacity to learn, “which enables us to extrapolate and learn new knowledge” (Langlois 74). The problem is that access to data about an Indigenous culture does not necessarily lead to an understanding of its knowledge. It has been argued that cybermuseology loses the essential interpersonal element that needs to be present if intangible heritage is understood as “the process of making sense that is generally transmitted orally and through face-to-face experience” (Langlois 78). We agree that the online museum does not enable a reality to be reproduced (Langlois 78).This does not mean that cybermuseology should be dismissed. Instead it provides the opportunity to construct a valuable, but completely new, experience of cultural knowledge (Langlois 78). The technology employed in cybermuseology provides the means by which control over meaning may, at least to some extent, be dispersed (Langlois 78). In this way online museums provide the opportunity for Indigenous peoples to challenge being subjected to manipulation by one authoritative museological voice. One of the ways this may be achieved is through interactivity by enabling the use of social tagging and folksonomy (Solanilla 110; Trant 2). In these processes keywords (tags) are supplied and shared by visitors as a means of accessing museum content. These tags in turn give rise to a classification system (folksonomy). In the context of an online museum engaging with an Indigenous culture we have reservations about the undifferentiated interactivity on the part of all visitors. This issue may be investigated further by examining how interactivity relates to communication. Arguably, an online museum is engaged in communicating Indigenous cultural heritage because it helps to keep it alive and pass it on to others (Langlois 77). However, enabling all visitors to structure online access to that culture may be detrimental to the communication of knowledge that might otherwise occur. The narratives by which Indigenous cultures, rather than visitors, order access to information about their cultures may lead to the communication of important knowledge. An illustration of the potential of this approach is the work Sharon Daniel has been involved with, which enables communities to “produce knowledge and interpret their own experience using media and information technologies” (Daniel, Palabras) partly by means of generating folksonomies. One way in which such issues may be engaged with in the context of online museums is through the argument that database and narrative in such new media objects are opposed to each other (Manovich, New Media 225). A new media work such as an online museum may be understood to be comprised of a database and an interface to that database. A visitor to an online museum may only move through the content of the database by following those paths that have been enabled by those who created the museum (Manovich, New Media 227). In short it is by means of the interface provided to the viewer that the content of the database is structured into a narrative (Manovich, New Media: 226). It is possible to understand online museums as constructions in which narrative and database aspects are emphasized to varying degrees for users. There are a variety of museum projects in which the importance of the interface in creating a narrative interface has been acknowledged. Goldblum et al. describe three examples of websites in which interfaces may be understood as, and explicitly designed for, carrying meaning as well as enabling interactivity: Life after the Holocaust; Ripples of Genocide; and Yearbook 2006.As with these examples, we suggest that it is important there be an explicit engagement with the significance of interface(s) for online museums about Indigenous peoples. The means by which visitors access content is important not only for the way in which visitors interact with material, but also as to what is communicated about, culture. It has been suggested that the curator’s role should be moved away from expertly representing knowledge toward that of assisting people outside the museum to make “authored statements” within it (Bennett 11). In this regard it seems to us that involvement of Indigenous peoples with the construction of the interface(s) to online museums is of considerable significance. Pieterse suggests that ethnographic museums should be guided by a process of self-representation by the “others” portrayed (Pieterse 133). Moreover it should not be forgotten that, because of the separation of content and interface, it is possible to have access to a database of material through more than one interface (Manovich, New Media 226-7). Online museums provide a means by which the artificial homogenization of Indigenous peoples may be challenged.We regard an important potential benefit of an online museum as the replacement of accessing material through the “unassailable voice” with the multiplicity of Indigenous voices. A number of ways to do this are suggested by a variety of new media artworks, including those that employ a database to rearrange information to reveal underlying cultural positions (Paul 100). Paul discusses the work of, amongst others, George Legrady. She describes how it engages with the archive and database as sites that record culture (104-6). Paul specifically discusses Legrady’s work Slippery Traces. This involved viewers navigating through more than 240 postcards. Viewers of work were invited to “first chose one of three quotes appearing on the screen, each of which embodies a different perspective—anthropological, colonialist, or media theory—and thus provides an interpretive angle for the experience of the projects” (104-5). In the same way visitors to an online museum could be provided with a choice of possible Indigenous voices by which its collection might be experienced. We are specifically interested in the implications that such approaches have for the way in which online museums could engage with film. Inspired by Basu’s work on reframing ethnographic film, we see the online museum as providing the possibility of a platform to experiment with new media art in order to expose the meta-narrative(s) about the politics of film making. As Basu argues, in order to provoke a feeling of involvement with the viewer, it is important that the viewer becomes aware “of the plurality of alternative readings/navigations that they might have made” (105). As Weinbren has observed, where a fixed narrative pathway has been constructed by a film, digital technology provides a particularly effective means to challenge it. It would be possible to reveal the way in which dominant political interests regarding Indigenous cultures have been asserted, such as for example in the popular film The Gods Must Be Crazy. New media art once again provides some interesting examples of the way ideology, that might otherwise remain unclear, may be exposed. Paul describes the example of Jennifer and Kevin McCoy’s project How I learned. The work restructures a television series Kung Fu by employing “categories such as ‘how I learned about blocking punches,’ ‘how I learned about exploiting workers,’ or ‘how I learned to love the land’” (Paul 103) to reveal in greater clarity, than otherwise might be possible, the cultural stereotypes used in the visual narratives of the program (Paul 102-4). We suggest that such examples suggest the ways in which online museums could work to reveal and explore the existence not only of meta-narratives expressed by museums as a whole, but also the means by which they are realised within existing items held in museum collections.ConclusionWe argue that the agency for such reflective moments between the San, who have been repeatedly misrepresented or underrepresented in exhibitions and films, and multiple audiences, may be enabled through the generation of multiple narratives within online museums. We would like to make the point that, first and foremost, the theory of representation must be fully understood and acknowledged in order to determine whether, and how, modes of online curating are censorious. As such we see online museums having the potential to play a significant role in illuminating for both the San and multiple audiences the way that any form of representation or displaying restricts the meanings that may be recovered about Indigenous peoples. ReferencesAppadurai, Arjun. The Social Life of Things: Commodities in Cultural Perspective. Cambridge: Harvard UP, 1986. Bal, Mieke. “Exhibition as Film.” Exhibition Experiments. Ed. Sharon Macdonald and Paul Basu. Malden: Blackwell Publishing 2007. 71-93. Basu, Paul. “Reframing Ethnographic Film.” Rethinking Documentary. Eds. Thomas Austin and Wilma de Jong. Maidenhead: Open U P, 2008. 94-106.Barringer, Tim, and Tom Flynn. Colonialism and the Object: Empire, Material Culture and the Museum. London: Routledge, 1998. Baxandall, Michael. "Exhibiting Intention: Some Preconditions of the Visual Display of Culturally Purposeful Objects." Exhibiting Cultures. Ed. Ivan Karp and Steven Lavine. Washington: Smithsonian Institution P. 1991. 33-41.Bell, Joshua. “Promiscuous Things: Perspectives on Cultural Property through Photographs in the Purari Delta of Papa New Guinea.” International Journal of Cultural Property 15 (2008): 123-39.Bennett, Tony. “The Political Rationality of the Museum.” Continuum: The Australian Journal of Media & Culture 3 No.1 (1990). 8 Oct. 2008 ‹http://wwwmcc.murdoch.edu.au/ReadingRoom/3.1/Bennett.html›. Bolton, Lissant. “The Object in View: Aborigines, Melanesians and Museums.” Emplaced Myth: Space, Narrative and Knowledge in Australia and Papua New Guinea. Eds. Alan Rumsey & James Weiner. Honolulu: U of Hawai`i P. 2001. 215-32. Bush, Martin. “Shifting Sands: Museum Representations of Science and Indigenous Knowledge Traditions.” Open Museum Journal 7 (2005). 8 Oct. 2008 ‹http://archive.amol.org.au/craft/omjournal/volume7/docs/MBush_ab.asp?ID=›.Busse, Mark. “Museums and the Things in Them Should Be Alive.” International Journal of Cultural Property 15 (2008): 189-200.Butts, David. “Māori and Museums: the Politics of Indigenous Recognition.” Museums, Society and Inequality. Ed. Richard Sandell. London: Routledge, 2002. 225-43.Casey, Dawn. “Culture Wars: Museums, Politics and Controversy.” Open Museum Journal 6 (2003). 8 Oct. 2008 ‹http://archive.amol.org.au/omj/volume6/casey.pdf›.Carter, J. “Museums and Indigenous Peoples in Canada.” Museums and the Appropriation of Culture. Ed. Susan Pearce. London: Athlone P, 1994. 213-33.Carolin, Clare, and Cathy Haynes. “The Politics of Display: Ann-Sofi Sidén’s Warte Mal!, Art History and Social Documentary.” Exhibition Experiments. Eds. Sharon Macdonald and Paul Basu. Malden: Blackwell Publishing, 2007. 154-74.Cooper, Jonathan. “Beyond the On-line Museum: Participatory Virtual Exhibitions.” Museums and the Web 2006: Proceedings. Eds. Jennifer Trant and David Bearman. Albuquerque: Archives & Museum Informatics, 2006. 8 Oct. 2008 ‹www.archimuse.com/mw2006/papers/cooper/cooper.html›.Daniel, Sharon. “The Database: An Aesthetics of Dignity.” Database Aesthetics: Art in the Age of Information Overflow. Ed. Victoria Vesner. Minneapolis: U of Minnesota P, 2007. 142-82.Daniel, Sharon, and Casa Segura. “Need_ X_ Change.” 8 Oct. 2008 ‹http://arts.ucsc.edu/sdaniel/need/›.Daniel, Sharon. “Palabras” 8 Oct. 2008 ‹http://palabrastranquilas.ucsc.edu/›.Daniel, Sharon, and Erik Loyer. “Public Secrets.” Vectors. Winter (2007). 8 Oct. 2008 ‹http://vectors.usc.edu/index.php?page=7&projectId=57›.Dietz, Steve. “Curating (on) the Web.” Museums and the Web 1998: Proceedings. Eds. Jennifer Trant and David Bearman. Toronto: Archives & Museum Informatics, 1998. 8 Oct. 2008 ‹http://www.archimuse.com/mw98/papers/dietz/dietz_curatingtheweb.html›.Dietz, Steve. “Telling Stories: Procedural Authorship and Extracting Meanings from Museum Databases.” Museums and the Web 1999: Proceedings. Eds. Jennifer Trant and David Bearman. New Orleans: Archives & Museum Informatics, 1999. 8 Oct. 2008 ‹http://www.archimuse.com/mw99/papers/dietz/dietz.html›.Gell, Alfred. Art and Agency: An Anthropological Theory. Oxford: Clarendon P, 1998.Geismar, Haidy. (2008) “Cultural Property, Museums, and the Pacific: Reframing the Debates.” International Journal of Cultural Property 15: 109-22.Ginsburg, Faye. “Resources of Hope: Learning from the Local in a Transnational Era.” Indigenous Cultures in an Interconnected World. Ed. Claire Smith & Graeme Ward. St Leonards: Allen & Unwin, 2000. 27-47.Goldblum, Josh, Adele O’Dowd, and Traci Sym. “Considerations and Strategies for Creating Interactive Narratives.” Museums and the Web 2007: Proceedings. Ed. Jennifer Trant and David Bearman. Toronto: Archives & Museum Informatics, 2007. 8 Oct. 2008 ‹www.archimuse.com/mw2007/papers/goldblum/goldblum.html›.Guenther, Matthias. “Contemporary Bushman Art, Identity Politics, and the Primitive Discourse.” The Politics of Egalitarianism: Theory and Practice. Ed. Jacqueline Solway. New York: Berghahn Books, 2006. 159-88. Harding, Sarah. “Culture, Commodification, and Native American Cultural Patrimony.” Rethinking Commodification: Cases and Readings in Law and Culture. Ed. Martha Ertman and Joan Williams. New York: New York U P, 2005. 137-63.Herle, Anita. “Relational Objects: Connecting People and Things through Pasifika Styles.” International Journal of Cultural Property 15 (2008): 159-79.Hoopes, John. “The Future of the Past: Archaeology and Anthropology on the World Wide Web.” Archives and Museum Informatics 11 (1997): 87-105.“South African National Gallery.” Iziko: Museums of Cape Town. 8 Oct. 2008 ‹http://www.iziko.org.za/iziko/ourname.html›.Jones, Anna. “Exploding Canons: The Anthropology of Museums.” Annual Review of Anthropology 22 (1993): 201-20. Kelly, Lynda, and Phil Gordon. “Developing a Community of Practice: Museums and Reconciliation in Australia.” Museums, Society and Inequality. Ed. Richard Sandell. London: Routledge, 2002. 153-74.Kopytoff, Igor. “The Cultural Biography of Things: Commoditization as Process.” The Social Life of Things: Commodities in Cultural Perspective. Ed. Arjun Appadurai. Cambridge: Harvard U P, 1986. 64-91. Kreps, Christina. Theorising Cultural Heritage. Indigenous Curation as Intangible Cultural Heritage: Thoughts on the Relevance of the 2003 UNESCO Convention. Washington: Smithsonian Center for Folklife and Cultural Heritage, 2005.Langlois, Dominique. “Cybermuseology and Intangible Cultural Heritage.” Intersection Conference 2005. York U: Toronto, 2005. 8 Oct. 2008 ‹http://yorku.ca/topia/docs/conference/langlais.pdf›.“Life after the Holocaust.” United States Holocaust Memorial Museum. 8 Oct. 2008 ‹http://www.ushmm.org/museum/exhibit/online/life_after_holocaust/›.Manovich, Lev. The Language of New Media. Cambridge: MIT P, 2001.———. Making Art of Databases. Rotterdam: V2_Publishing/NAi Publishers, 2003.Martin, George, and Saskia Vermeylen. “Intellectual Property, Indigenous Knowledge, and Biodiversity.” Capitalism Nature Socialism 16 (2005): 27-48. Martínez, David. “Re-visioning the Hopi Fourth World: Dan Namingha, Indigenous Modernism, and the Hopivotskwani.” Art History 29 (2006): 145-72. McGee, Julie. “Restructuring South African Museums: Reality and Rhetoric within Cape Town.” New Museum Theory and Practice: An Introduction. Ed. Janet Marstine. Oxford: Blackwell, 2006. 178-99.McTavish, Lianne. “Visiting the Virtual Museum: Art and Experience Online.” New Museum Theory and Practice: An Introduction. Ed. Janet Marstine. Oxford: Blackwell, 2006. 226-45.Morphy, Howard. “Elite Art for Cultural Elites: Adding Value to Indigenous Arts.” Indigenous Cultures in an Interconnected World. Ed. Claire Smith and Graeme Ward. St Leonards: Allen & Unwin, 2000. 129- 43.Paul, Christiane. “The Database as System and Cultural Form: Anatomies of Cultural Narratives.” Database Aesthetics: Art in the Age of Information Overflow. Ed. Victoria Vesner. Minneapolis: U of Minnesota P, 2007. 95-109.Pearce, Susan. Museums and the Appropriation of Culture. London: Athlone P, 1994.Pieterse, Jan Nederveen. “Multiculturalism and Museums: Discourse about Others in the Age of Globalisation.” Theory, Culture & Society 14. 4 (1997): 123-46.“Ripples of Genocide: Journey through Eastern Congo.” United States Holocaust Memorial Museum. 8 Oct. 2008 ‹www.ushmm.org/museum/exhibit/online/congojournal›.Salvador, Mari Lyn. “‘The Kuna Way’: Museums, Exhbitions, and the Politics of Representation of Kuna Art.” Museum Anthropology 18 (1994): 48-52. Samis, Peter. “Artwork as Interface” Archives and Museum Informatics 13.2 (1999): 191-98.Sandell, Richard. “Museums and the Combating of Social Inequality: Roles, Responsibilities, Resistance.” Museums, Society and Inequality. Ed. Richard Sandell. London: Routledge, 2002. 3-23.Seaman, Bill. “Recombinant Poetics and Related Database Aesthetics.” Database Aesthetics: Art in the Age of Information Overflow. Ed. Victoria Vesner. 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"Frida. Directed by Julie Taymor; produced by Sarah Green, Salma Hayek, Jay Polstein, Lizz Speed, Nancy Hardin, Lindsay Flickinger, and Roberto Sneider; written by Claney Sigal, Diane Lake, Gregory Nava, and Anna Thomas. 2002; color; 122 minutes. Distributed by Miramax and Frida, naturaleza viva. A. Directed by Paul Leduc; produced by Manuel Barbachano Ponce; written by Paul Leduc and Juan Joaquín Blanco. 1984; color; 107 minutes. Mexico. Spanish with English subtitles. Distributed by Clasa Films Mundiales." American Historical Review, October 2003. http://dx.doi.org/10.1086/ahr/108.4.1261.

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Das, Devaleena. "What’s in a Term: Can Feminism Look beyond the Global North/Global South Geopolitical Paradigm?" M/C Journal 20, no.6 (December31, 2017). http://dx.doi.org/10.5204/mcj.1283.

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Introduction The genealogy of Feminist Standpoint Theory in the 1970s prioritised “locationality”, particularly the recognition of social and historical locations as valuable contribution to knowledge production. Pioneering figures such as Sandra Harding, Dorothy Smith, Patricia Hill Collins, Alison Jaggar, and Donna Haraway have argued that the oppressed must have some means (such as language, cultural practices) to enter the world of the oppressor in order to access some understanding of how the world works from the privileged perspective. In the essay “Meeting at the Edge of Fear: Theory on a World Scale”, the Australian social scientist Raewyn Connell explains that the production of feminist theory almost always comes from the global North. Connell critiques the hegemony of mainstream Northern feminism in her pyramidal model (59), showing how theory/knowledge is produced at the apex (global North) of a pyramid structure and “trickles down” (59) to the global South. Connell refers to a second model called mosaic epistemology which shows that multiple feminist ideologies across global North/South are juxtaposed against each other like tiles, with each specific culture making its own claims to validity.However, Nigerian feminist Bibi Bakare-Yusuf’s reflection on the fluidity of culture in her essay “Fabricating Identities” (5) suggests that fixing knowledge as Northern and Southern—disparate, discrete, and rigidly structured tiles—is also problematic. Connell proposes a third model called solidarity-based epistemology which involves mutual learning and critiquing with a focus on solidarity across differences. However, this is impractical in implementation especially given that feminist nomenclature relies on problematic terms such as “international”, “global North/South”, “transnational”, and “planetary” to categorise difference, spatiality, and temporality, often creating more distance than reciprocal exchange. Geographical specificity can be too limiting, but we also need to acknowledge that it is geographical locationality which becomes disadvantageous to overcome racial, cultural, and gender biases — and here are few examples.Nomenclatures: Global-North and Global South ParadigmThe global North/South terminology differentiating the two regions according to means of trade and relative wealth emerged from the Brandt Report’s delineation of the North as wealthy and South as impoverished in 1980s. Initially, these terms were a welcome repudiation of the hierarchical nomenclature of “developed” and “developing” nations. Nevertheless, the categories of North and South are problematic because of increased socio-economic heterogeneity causing erasure of local specificities without reflecting microscopic conflicts among feminists within the global North and the global South. Some feminist terms such as “Third World feminism” (Narayan), “global feminism” (Morgan), or “local feminisms” (Basu) aim to centre women's movements originating outside the West or in the postcolonial context, other labels attempt to making feminism more inclusive or reflective of cross-border linkages. These include “transnational feminism” (Grewal and Kaplan) and “feminism without borders” (Mohanty). In the 1980s, Kimberlé Williams Crenshaw’s concept of intersectionality garnered attention in the US along with Gloria Anzaldúa’s Borderlands/La Frontera: The New Mestiza (1987), which raised feminists’ awareness of educational, healthcare, and financial disparities among women and the experiences of marginalised people across the globe, leading to an interrogation of the aims and purposes of mainstream feminism. In general, global North feminism refers to white middle class feminist movements further expanded by concerns about civil rights and contemporary queer theory while global South feminism focusses on decolonisation, economic justice, and disarmament. However, the history of colonialism demonstrates that this paradigm is inadequate because the oppression and marginalisation of Black, Indigenous, and Queer activists have been avoided purposely in the homogenous models of women’s oppression depicted by white radical and liberal feminists. A poignant example is from Audre Lorde’s personal account:I wheeled my two-year-old daughter in a shopping cart through a supermarket in Eastchester in 1967, and a little white girl riding past in her mother’s cart calls out excitedly, ‘oh look, Mommy, a baby maid!’ And your mother shushes you, but does not correct you, and so fifteen years later, at a conference on racism, you can still find that story humorous. But I hear your laughter is full of terror and disease. (Lorde)This exemplifies how the terminology global North/South is a problem because there are inequities within the North that are parallel to the division of power and resources between North and South. Additionally, Susan Friedman in Planetary Modernisms observes that although the terms “Global North” and “Global South” are “rhetorically spatial” they are “as geographically imprecise and ideologically weighted as East/West” because “Global North” signifies “modern global hegemony” and “Global South” signifies the “subaltern, … —a binary construction that continues to place the West at the controlling centre of the plot” (Friedman, 123).Focussing on research-activism debate among US feminists, Sondra Hale takes another tack, emphasising that feminism in the global South is more pragmatic than the theory-oriented feminist discourse of the North (Hale). Just as the research-scholarship binary implies myopic assumption that scholarship is a privileged activity, Hale’s observations reveal a reductive assumption in the global North and global South nomenclature that feminism at the margins is theoretically inadequate. In other words, recognising the “North” as the site of theoretical processing is a euphemism for Northern feminists’ intellectual supremacy and the inferiority of Southern feminist praxis. To wit, theories emanating from the South are often overlooked or rejected outright for not aligning with Eurocentric framings of knowledge production, thereby limiting the scope of feminist theories to those that originate in the North. For example, while discussing Indigenous women’s craft-autobiography, the standard feminist approach is to apply Susan Sontag’s theory of gender and photography to these artefacts even though it may not be applicable given the different cultural, social, and class contexts in which they are produced. Consequently, Moroccan feminist Fatima Mernissi’s Islamic methodology (Mernissi), the discourse of land rights, gender equality, kinship, and rituals found in Bina Agarwal’s A Field of One’s Own, Marcia Langton’s “Grandmothers’ Law”, and the reflection on military intervention are missing from Northern feminist theoretical discussions. Moreover, “outsiders within” feminist scholars fit into Western feminist canonical requirements by publishing their works in leading Western journals or seeking higher degrees from Western institutions. In the process, Northern feminists’ intellectual hegemony is normalised and regularised. An example of the wealth of the materials outside of mainstream Western feminist theories may be found in the work of Girindrasekhar Bose, a contemporary of Sigmund Freud, founder of the Indian Psychoanalytic Society and author of the book Concept of Repression (1921). Bose developed the “vagina envy theory” long before the neo-Freudian psychiatrist Karen Horney proposed it, but it is largely unknown in the West. Bose’s article “The Genesis and Adjustment of the Oedipus Wish” discarded Freud’s theory of castration and explained how in the Indian cultural context, men can cherish an unconscious desire to bear a child and to be castrated, implicitly overturning Freud’s correlative theory of “penis envy.” Indeed, the case of India shows that the birth of theory can be traced back to as early as eighth century when study of verbal ornamentation and literary semantics based on the notion of dbvani or suggestion, and the aesthetic theory of rasa or "sentiment" is developed. If theory means systematic reasoning and conceptualising the structure of thought, methods, and epistemology, it exists in all cultures but unfortunately non-Western theory is largely invisible in classroom courses.In the recent book Queer Activism in India, Naisargi Dev shows that the theory is rooted in activism. Similarly, in her essay “Seed and Earth”, Leela Dube reveals how Eastern theories are distorted as they are Westernised. For instance, the “Purusha-Prakriti” concept in Hinduism where Purusha stands for pure consciousness and Prakriti stands for the entire phenomenal world is almost universally misinterpreted in terms of Western binary oppositions as masculine consciousness and feminine creative principle which has led to disastrous consequences including the legitimisation of male control over female sexuality. Dube argues how heteropatriarchy has twisted the Purusha-Prakriti philosophy to frame the reproductive metaphor of the male seed germinating in the female field for the advantage of patrilineal agrarian economies and to influence a homology between reproductive metaphors and cultural and institutional sexism (Dube 22-24). Attempting to reverse such distortions, ecofeminist Vandana Shiva rejects dualistic and exploitative “contemporary Western views of nature” (37) and employs the original Prakriti-Purusha cosmology to construct feminist vision and environmental ethics. Shiva argues that unlike Cartesian binaries where nature or Prakriti is inert and passive, in Hindu Philosophy, Purusha and Prakriti are inseparable and inviolable (Shiva 37-39). She refers to Kalika Purana where it is explained how rivers and mountains have a dual nature. “A river is a form of water, yet is has a distinct body … . We cannot know, when looking at a lifeless shell, that it contains a living being. Similarly, within the apparently inanimate rivers and mountains there dwells a hidden consciousness. Rivers and mountains take the forms they wish” (38).Scholars on the periphery who never migrated to the North find it difficult to achieve international audiences unless they colonise themselves, steeping their work in concepts and methods recognised by Western institutions and mimicking the style and format that western feminist journals follow. The best remedy for this would be to interpret border relations and economic flow between countries and across time through the prism of gender and race, an idea similar to what Sarah Radcliffe, Nina Laurie and Robert Andolina have called the “transnationalization of gender” (160).Migration between Global North and Global SouthReformulation of feminist epistemology might reasonably begin with a focus on migration and gender politics because international and interregional migration have played a crucial role in the production of feminist theories. While some white mainstream feminists acknowledge the long history of feminist imperialism, they need to be more assertive in centralising non-Western theories, scholarship, and institutions in order to resist economic inequalities and racist, patriarchal global hierarchies of military and organisational power. But these possibilities are stymied by migrants’ “de-skilling”, which maintains unequal power dynamics: when migrants move from the global South to global North, many end up in jobs for which they are overqualified because of their cultural, educational, racial, or religious alterity.In the face of a global trend of movement from South to North in search of a “better life”, visual artist Naiza Khan chose to return to Pakistan after spending her childhood in Lebanon before being trained at the University of Oxford. Living in Karachi over twenty years, Khan travels globally, researching, delivering lectures, and holding exhibitions on her art work. Auj Khan’s essay “Peripheries of Thought and Practise in Naiza Khan’s Work” argues: “Khan seems to be going through a perpetual diaspora within an ownership of her hybridity, without having really left any of her abodes. This agitated space of modern hybrid existence is a rich and ripe ground for resolution and understanding. This multiple consciousness is an edge for anyone in that space, which could be effectively made use of to establish new ground”. Naiza Khan’s works embrace loss or nostalgia and a sense of choice and autonomy within the context of unrestricted liminal geographical boundaries.Early work such as “Chastity Belt,” “Heavenly Ornaments”, “Dream”, and “The Skin She Wears” deal with the female body though Khan resists the “feminist artist” category, essentially because of limited Western associations and on account of her paradoxical, diasporic subjectivity: of “the self and the non-self, the doable and the undoable and the anxiety of possibility and choice” (Khan Webpage). Instead, Khan theorises “gender” as “personal sexuality”. The symbolic elements in her work such as corsets, skirts, and slips, though apparently Western, are purposely destabilised as she engages in re-constructing the cartography of the body in search of personal space. In “The Wardrobe”, Khan establishes a path for expressing women’s power that Western feminism barely acknowledges. Responding to the 2007 Islamabad Lal Masjid siege by militants, Khan reveals the power of the burqa to protect Muslim men by disguising their gender and sexuality; women escape the Orientalist gaze. For Khan, home is where her art is—beyond the global North and South dichotomy.In another example of de-centring Western feminist theory, the Indian-British sitar player Anoushka Shankar, who identifies as a radical pro-feminist, in her recent musical album “Land of Gold” produces what Chilla Bulbeck calls “braiding at the borderlands”. As a humanitarian response to the trauma of displacement and the plight of refugees, Shankar focusses on women giving birth during migration and the trauma of being unable to provide stability and security to their children. Grounded in maternal humility, Shankar’s album, composed by artists of diverse background as Akram Khan, singer Alev Lenz, and poet Pavana Reddy, attempts to dissolve boundaries in the midst of chaos—the dislocation, vulnerability and uncertainty experienced by migrants. The album is “a bit of this, and a bit of that” (borrowing Salman Rushdie’s definition of migration in Satanic Verses), both in terms of musical genre and cultural identities, which evokes emotion and subjective fluidity. An encouraging example of truly transnational feminist ethics, Shankar’s album reveals the chasm between global North and global South represented in the tension of a nascent friendship between a white, Western little girl and a migrant refugee child. Unlike mainstream feminism, where migration is often sympathetically feminised and exotified—or, to paraphrase bell hooks, difference is commodified (hooks 373) — Shankar’s album simultaneously exhibits regional, national, and transnational elements. The album inhabits multiple borderlands through musical genres, literature and politics, orality and text, and ethnographic and intercultural encounters. The message is: “the body is a continent / But may your heart always remain the sea" (Shankar). The human rights advocate and lawyer Randa Abdel-Fattah, in her autobiographical novel Does My Head Look Big in This?, depicts herself as “colourful adjectives” (such as “darkies”, “towel-heads”, or the “salami eaters”), painful identities imposed on her for being a Muslim woman of colour. These ultimately empower her to embrace her identity as a Palestinian-Egyptian-Australian Muslim writer (Abdel-Fattah 359). In the process, Abdel-Fattah reveals how mainstream feminism participates in her marginalisation: “You’re constantly made to feel as you’re commenting as a Muslim, and somehow your views are a little bit inferior or you’re somehow a little bit more brainwashed” (Abdel-Fattah, interviewed in 2015).With her parental roots in the global South (Egyptian mother and Palestinian father), Abdel-Fattah was born and brought up in the global North, Australia (although geographically located in global South, Australia is categorised as global North for being above the world average GDP per capita) where she embraced her faith and religious identity apparently because of Islamophobia:I refuse to be an apologist, to minimise this appalling state of affairs… While I'm sick to death, as a Muslim woman, of the hypocrisy and nonsensical fatwas, I confess that I'm also tired of white women who think the answer is flashing a bit of breast so that those "poor," "infantilised" Muslim women can be "rescued" by the "enlightened" West - as if freedom was the sole preserve of secular feminists. (Abdel-Fattah, "Ending Oppression")Abdel-Fattah’s residency in the global North while advocating for justice and equality for Muslim women in both the global North and South is a classic example of the mutual dependency between the feminists in global North and global South, and the need to recognise and resist neoliberal policies applied in by the North to the South. In her novel, sixteen-year-old Amal Mohamed chooses to become a “full-time” hijab wearer in an elite school in Melbourne just after the 9/11 tragedy, the Bali bombings which killed 88 Australians, and the threat by Algerian-born Abdel Nacer Benbrika, who planned to attack popular places in Sydney and Melbourne. In such turmoil, Amal’s decision to wear the hijab amounts to more than resistance to Islamophobia: it is a passionate search for the true meaning of Islam, an attempt to embrace her hybridity as an Australian Muslim girl and above all a step towards seeking spiritual self-fulfilment. As the novel depicts Amal’s challenging journey amidst discouraging and painful, humiliating experiences, the socially constructed “bloody confusing identity hyphens” collapse (5). What remains is the beautiful veil that stands for Amal’s multi-valence subjectivity. The different shades of her hijab reflect different moods and multiple “selves” which are variously tentative, rebellious, romantic, argumentative, spiritual, and ambitious: “I am experiencing a new identity, a new expression of who I am on the inside” (25).In Griffith Review, Randa-Abdel Fattah strongly criticises the book Nine Parts of Desire by Geraldine Brooks, a Wall-Street Journal reporter who travelled from global North to the South to cover Muslim women in the Middle East. Recognising the liberal feminist’s desire to explore the Orient, Randa-Abdel calls the book an example of feminist Orientalism because of the author’s inability to understand the nuanced diversity in the Muslim world, Muslim women’s purposeful downplay of agency, and, most importantly, Brooks’s inevitable veil fetishism in her trip to Gaza and lack of interest in human rights violations of Palestinian women or their lack of access to education and health services. Though Brooks travelled from Australia to the Middle East, she failed to develop partnerships with the women she met and distanced herself from them. This underscores the veracity of Amal’s observation in Abdel Fattah’s novel: “It’s mainly the migrants in my life who have inspired me to understand what it means to be an Aussie” (340). It also suggests that the transnational feminist ethic lies not in the global North and global South paradigm but in the fluidity of migration between and among cultures rather than geographical boundaries and military borders. All this argues that across the imperial cartography of discrimination and oppression, women’s solidarity is only possible through intercultural and syncretistic negotiation that respects the individual and the community.ReferencesAbdel-Fattah, Randa. Does My Head Look Big in This? Sydney: Pan MacMillan Australia, 2005.———. “Ending Oppression in the Middle East: A Muslim Feminist Call to Arms.” ABC Religion and Ethics, 29 April 2013. <http://www.abc.net.au/religion/articles/2013/04/29/3747543.htm>.———. “On ‘Nine Parts Of Desire’, by Geraldine Brooks.” Griffith Review. <https://griffithreview.com/on-nine-parts-of-desire-by-geraldine-brooks/>.Agarwal, Bina. A Field of One’s Own: Gender and Land Rights in South Asia. Cambridge: Cambridge University, 1994.Amissah, Edith Kohrs. Aspects of Feminism and Gender in the Novels of Three West African Women Writers. Nairobi: Africa Resource Center, 1999.Andolina, Robert, Nina Laurie, and Sarah A. Radcliffe. Indigenous Development in the Andes: Culture, Power, and Transnationalism. Durham, NC: Duke University Press, 2009.Anzaldúa, Gloria E. Borderlands/La Frontera: The New Mestiza. San Francisco: Aunt Lute Books, 1987.Bakare-Yusuf, Bibi. “Fabricating Identities: Survival and the Imagination in Jamaican Dancehall Culture.” Fashion Theory 10.3 (2006): 1–24.Basu, Amrita (ed.). Women's Movements in the Global Era: The Power of Local Feminisms. Philadelphia: Westview Press, 2010.Bulbeck, Chilla. Re-Orienting Western Feminisms: Women's Diversity in a Postcolonial World. Cambridge: Cambridge University Press, 1998.Connell, Raewyn. “Meeting at the Edge of Fear: Theory on a World Scale.” Feminist Theory 16.1 (2015): 49–66.———. “Rethinking Gender from the South.” Feminist Studies 40.3 (2014): 518-539.Daniel, Eniola. “I Work toward the Liberation of Women, But I’m Not Feminist, Says Buchi Emecheta.” The Guardian, 29 Jan. 2017. <https://guardian.ng/art/i-work-toward-the-liberation-of-women-but-im-not-feminist-says-buchi-emecheta/>.Devi, Mahasveta. "Draupadi." Trans. Gayatri Chakravorty Spivak. Critical Inquiry 8.2 (1981): 381-402.Friedman, Susan Stanford. Planetary Modernisms: Provocations on Modernity across Time. New York: Columbia University Press, 2015.Grewal, Inderpal, and Caren Kaplan. Scattered Hegemonies: Postmodernity and Transnational Feminist. Minneapolis: University of Minnesota Press, 1994.Hale, Sondra. “Transnational Gender Studies and the Migrating Concept of Gender in the Middle East and North Africa.” Cultural Dynamics 21.2 (2009): 133-52.hooks, bell. “Eating the Other: Desire and Resistance.” Black Looks: Race and Representation. Boston: South End Press, 1992.Langton, Marcia. “‘Grandmother’s Law’, Company Business and Succession in Changing Aboriginal Land Tenure System.” Traditional Aboriginal Society: A Reader. Ed. W.H. Edward. 2nd ed. Melbourne: Macmillan, 2003.Lazreg, Marnia. “Feminism and Difference: The Perils of Writing as a Woman on Women in Algeria.” Feminist Studies 14.1 (Spring 1988): 81-107.Liew, Stephanie. “Subtle Racism Is More Problematic in Australia.” Interview. music.com.au 2015. <http://themusic.com.au/interviews/all/2015/03/06/randa-abdel-fattah/>.Lorde, Audre. “The Uses of Anger: Women Responding to Racism.” Keynoted presented at National Women’s Studies Association Conference, Storrs, Conn., 1981.Mernissi, Fatima. The Veil and the Male Elite: A Feminist Interpretation of Women’s Rights in Islam. Trans. Mary Jo Lakeland. New York: Basic Books, 1991.Moghadam, Valentine. Modernizing Women: Gender and Social Change in the Middle East. London: Lynne Rienner Publishers, 2003.Mohanty, Chandra Talpade. Feminism without Borders: Decolonizing Theory, Practicing Solidarity. Durham, NC: Duke University Press, 2003.Moreton-Robinson, Aileen. Talkin' Up to the White Woman: Aboriginal Women and Feminism. St Lucia: Queensland University Press, 2000.Morgan, Robin (ed.). Sisterhood Is Global: The International Women's Movement Anthology. New York: The Feminist Press, 1984.Narayan, Uma. Dislocating Cultures: Identities, Traditions, and Third World Feminism, 1997.

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Lee, Ashlin. "In the Shadow of Platforms." M/C Journal 24, no.2 (April27, 2021). http://dx.doi.org/10.5204/mcj.2750.

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Introduction This article explores the changing relational quality of “the shadow of hierarchy”, in the context of the merging of platforms with infrastructure as the source of the shadow of hierarchy. In governance and regulatory studies, the shadow of hierarchy (or variations thereof), describes the space of influence that hierarchal organisations and infrastructures have (Héritier and Lehmkuhl; Lance et al.). A shift in who/what casts the shadow of hierarchy will necessarily result in changes to the attendant relational values, logics, and (techno)socialities that constitute the shadow, and a new arrangement of shadow that presents new challenges and opportunities. This article reflects on relevant literature to consider two different ways the shadow of hierarchy has qualitatively changed as platforms, rather than infrastructures, come to cast the shadow of hierarchy – an increase in scalability; and new socio-technical arrangements of (non)participation – and the opportunities and challenges therein. The article concludes that more concerted efforts are needed to design the shadow, given a seemingly directionless desire to enact data-driven solutions. The Shadow of Hierarchy, Infrastructures, and Platforms The shadow of hierarchy refers to how institutional, infrastructural, and organisational hierarchies create a relational zone of influence over a particular space. This commonly refers to executive decisions and legislation created by nation states, which are cast over private and non-governmental actors (Héritier and Lehmkuhl, 2). Lance et al. (252–53) argue that the shadow of hierarchy is a productive and desirable thing. Exploring the shadow of hierarchy in the context of how geospatial data agencies govern their data, Lance et al. find that the shadow of hierarchy enables the networked governance approaches that agencies adopt. This is because operating in the shadow of institutions provides authority, confers bureaucratic legitimacy and top-down power, and offers financial support. The darkness of the shadow is thus less a moral or ethicopolitical statement (such as that suggested by Fisher and Bolter, who use the idea of darkness to unpack the morality of tourism involving death and human suffering), and instead a relationality; an expression of differing values, logics, and (techno)socialities internal and external to those infrastructures and institutions that cast it (Gehl and McKelvey). The shadow of hierarchy might therefore be thought of as a field of relational influences and power that a social body casts over society, by virtue of a privileged position vis-a-vis society. It modulates society’s “light”; the resources (Bourdieu) and power relationships (Foucault) that run through social life, as parsed through a certain institutional and infrastructural worldview (the thing that blocks the light to create the shadow). In this way the shadow of hierarchy is not a field of absolute blackness that obscures, but instead a gradient of light and dark that creates certain effects. The shadow of hierarchy is now, however, also being cast by decentralised, privately held, and non-hierarchal platforms that are replacing or merging with public infrastructure, creating new social effects. Platforms are digital, socio-technical systems that create relationships between different entities. They are most commonly built around a relatively fixed core function (such as a social media service like Facebook), that then interacts with a peripheral set of complementors (advertising companies and app developers in the case of social media; Baldwin and Woodard), to create new relationships, forms of value, and other interactions (van Dijck, The Culture of Connectivity). In creating these relationships, platforms become inherently political (Gillespie), shaping relationships and content on the platform (Suzor) and in embodied life (Ajunwa; Eubanks). While platforms are often associated with optional consumer platforms (such as streaming services like Spotify), they have increasingly come to occupy the place of public infrastructure, and act as a powerful enabler to different socio-technical, economic, and political relationships (van Dijck, Governing Digital Societies). For instance, Plantin et al. argue that platforms have merged with infrastructures, and that once publicly held and funded institutions and essential services now share many characteristics with for-profit, privately held platforms. For example, Australia has had a long history of outsourcing employment services (Webster and Harding), and nearly privatised its entire visa processing data infrastructure (Jenkins). Platforms therefore have a greater role in casting the shadow of hierarchy than before. In doing so, they cast a shadow that is qualitatively different, modulated through a different set of relational values and (techno)socialities. Scalability A key difference and selling point of platforms is their scalability; since they can rapidly and easily up- and down-scale their functionalities in a way that traditional infrastructure cannot (Plantin et al.). The ability to respond “on-demand” to infrastructural requirements has made platforms the go-to service delivery option in the neo-liberalised public infrastructure environment (van Dijck, Governing Digital Societies). For instance, services providers like Amazon Web Services or Microsoft Azure provide on demand computing capacity for many nations’ most valuable services, including their intelligence and security capabilities (Amoore, Cloud Ethics; Konkel). The value of such platforms to government lies in the reduced cost and risk that comes with using rented capabilities, and the enhanced flexibility to increase or decrease their usage as required, without any of the economic sunk costs attached to owning the infrastructure. Scalability is, however, not just about on-demand technical capability, but about how platforms can change the scale of socio-technical relationships and services that are mediated through the platform. This changes the relational quality of the shadow of hierarchy, as activities and services occurring within the shadow are now connected into a larger and rapidly modulating scale. Scalability allows the shadow of hierarchy to extend from those in proximity to institutions to the broader population in general. For example, individual citizens can more easily “reach up” into governmental services and agencies as a part of completing their everyday business through platform such as MyGov in Australia (Services Australia). Using a smartphone application, citizens are afforded a more personalised and adaptive experience of the welfare state, as engaging with welfare services is no-longer tied to specific “brick-and-mortar” locations, but constantly available through a smartphone app and web portal. Multiple government services including healthcare and taxation are also connected to this platform, allowing users to reach across multiple government service domains to complete their personal business, seeking information and services that would have once required separate communications with different branches of government. The individual’s capacities to engage with the state have therefore upscaled with this change in the shadow, retaining a productivity and capacity enhancing quality that is reminiscent of older infrastructures and institutions, as the individual and their lived context is brought closer to the institutions themselves. Scale, however, comes with complications. The fundamental driver for scalability and its adaptive qualities is datafication. This means individuals and organisations are inflecting their operational and relational logics with the logic of datafication: a need to capture all data, at all times (van Dijck, Datafication; Fourcade and Healy). Platforms, especially privately held platforms, benefit significantly from this, as they rely on data to drive and refine their algorithmic tools, and ultimately create actionable intelligence that benefits their operations. Thus, scalability allows platforms to better “reach down” into individual lives and different social domains to fuel their operations. For example, as public transport services become increasingly datafied into mobility-as-a-service (MAAS) systems, ride sharing and on-demand transportation platforms like Uber and Lyft become incorporated into the public transport ecosystem (Lyons et al.). These platforms capture geospatial, behavioural, and reputational data from users and drivers during their interactions with the platform (Rosenblat and Stark; Attoh et al.). This generates additional value, and profits, for the platform itself with limited value returned to the user or the broader public it supports, outside of the transport service. It also places the platform in a position to gain wider access to the population and their data, by virtue of operating as a part of a public service. In this way the shadow of hierarchy may exacerbate inequity. The (dis)benefits of the shadow of hierarchy become unevenly spread amongst actors within its field, a function of an increased scalability that connects individuals into much broader assemblages of datafication. For Eubank, this can entrench existing economic and social inequalities by forcing those in need to engage with digitally mediated welfare systems that rely on distant and opaque computational judgements. Local services are subject to increased digital surveillance, a removal of agency from frontline advocates, and algorithmic judgement at scale. More fortunate citizens are also still at risk, with Nardi and Ekbia arguing that many digitally scaled relationships are examples of “heteromation”, whereby platforms convince actors in the platform to labour for free, such as through providing ratings which establish a platform’s reputational economy. Such labour fuels the operation of the platform through exploiting users, who become both a product/resource (as a source of data for third party advertisers) and a performer of unrewarded digital labour, such as through providing user reviews that help guide a platform’s algorithm(s). Both these examples represent a particularly disconcerting outcome for the shadow of hierarchy, which has its roots in public sector institutions who operate for a common good through shared and publicly held infrastructure. In shifting towards platforms, especially privately held platforms, value is transmitted to private corporations and not the public or the commons, as was the case with traditional infrastructure. The public also comes to own the risks attached to platforms if they become tied to public services, placing a further burden on the public if the platform fails, while reaping none of the profit and value generated through datafication. This is a poor bargain at best. (Non)Participation Scalability forms the basis for a further predicament: a changing socio-technical dynamic of (non)participation between individuals and services. According to Star (118), infrastructures are defined through their relationships to a given context. These relationships, which often exist as boundary objects between different communities, are “loosely structured in common use, and become tightly bound in particular locations” (Star, 118). While platforms are certainly boundary objects and relationally defined, the affordances of cloud computing have enabled a decoupling from physical location, and the operation of platforms across time and space through distributed digital nodes (smartphones, computers, and other localised hardware) and powerful algorithms that sort and process requests for service. This does not mean location is not important for the cloud (see Amoore, Cloud Geographies), but platforms are less likely to have a physically co-located presence in the same way traditional infrastructures had. Without the same institutional and infrastructural footprint, the modality for participating in and with the shadow of hierarchy that platforms cast becomes qualitatively different and predicated on digital intermediaries. Replacing a physical and human footprint with algorithmically supported and decentralised computing power allows scalability and some efficiency improvements, but it also removes taken-for-granted touchpoints for contestation and recourse. For example, ride-sharing platform Uber operates globally, and has expressed interest in operating in complement to (and perhaps in competition with) public transport services in some cities (Hall et al.; Conger). Given that Uber would come to operate as a part of the shadow of hierarchy that transport authorities cast over said cities, it would not be unreasonable to expect Uber to be subject to comparable advocacy, adjudication, transparency, and complaint-handling requirements. Unfortunately, it is unclear if this would be the case, with examples suggesting that Uber would use the scalability of its platform to avoid these mechanisms. This is revealed by ongoing legal action launched by concerned Uber drivers in the United Kingdom, who have sought access to the profiling data that Uber uses to manage and monitor its drivers (Sawers). The challenge has relied on transnational law (the European Union’s General Data Protection Regulation), with UK-based drivers lodging claims in Amsterdam to initiate the challenge. Such costly and complex actions are beyond the means of many, but demonstrate how reasonable participation in socio-technical and governance relationships (like contestations) might become limited, depending on how the shadow of hierarchy changes with the incorporation of platforms. Even if legal challenges for transparency are successful, they may not produce meaningful change. For instance, O’Neil links algorithmic bias to mathematical shortcomings in the variables used to measure the world; in the creation of irritational feedback loops based on incorrect data; and in the use of unsound data analysis techniques. These three factors contribute to inequitable digital metrics like predictive policing algorithms that disproportionately target racial minorities. Large amounts of selective data on minorities create myopic algorithms that direct police to target minorities, creating more selective data that reinforces the spurious model. These biases, however, are persistently inaccessible, and even when visible are often unintelligible to experts (Ananny and Crawford). The visibility of the technical “installed base” that support institutions and public services is therefore not a panacea, especially when the installed base (un)intentionally obfuscates participation in meaningful engagement like complaints handling. A negative outcome is, however, also not an inevitable thing. It is entirely possible to design platforms to allow individual users to scale up and have opportunities for enhanced participation. For instance, eGovernance and mobile governance literature have explored how citizens engage with state services at scale (Thomas and Streib; Foth et al.), and the open government movement has demonstrated the effectiveness of open data in understanding government operations (Barns; Janssen et al.), although these both have their challenges (Chadwick; Dawes). It is not a fantasy to imagine alternative configurations of the shadow of hierarchy that allow more participatory relationships. Open data could facilitate the governance of platforms at scale (Box et al.), where users are enfranchised into a platform by some form of membership right and given access to financial and governance records, in the same way that corporate shareholders are enfranchised, facilitated by the same app that provides a service. This could also be extended to decision making through voting and polling functions. Such a governance form would require radically different legal, business, and institutional structures to create and enforce this arrangement. Delacoix and Lawrence, for instance, suggest that data trusts, where a trustee is assigned legal and fiduciary responsibility to achieve maximum benefit for a specific group’s data, can be used to negotiate legal and governance relationships that meaningfully benefit the users of the trust. Trustees can be instructed to only share data to services whose algorithms are regularly audited for bias and provide datasets that are accurate representations of their users, for instance, avoiding erroneous proxies that disrupt algorithmic models. While these developments are in their infancy, it is not unreasonable to reflect on such endeavours now, as the technologies to achieve these are already in use. Conclusions There is a persistent myth that data will yield better, faster, more complete results in whatever field it is applied (Lee and Cook; Fourcade and Healy; Mayer-Schönberger and Cukier; Kitchin). This myth has led to data-driven assemblages, including artificial intelligence, platforms, surveillance, and other data-technologies, being deployed throughout social life. The public sector is no exception to this, but the deployment of any technological solution within the traditional institutions of the shadow of hierarchy is fraught with challenges, and often results in failure or unintended consequences (Henman). The complexity of these systems combined with time, budgetary, and political pressures can create a contested environment. It is this environment that moulds societies' light and resources to cast the shadow of hierarchy. Relationality within a shadow of hierarchy that reflects the complicated and competing interests of platforms is likely to present a range of unintended social consequences that are inherently emergent because they are entering into a complex system – society – that is extremely hard to model. The relational qualities of the shadow of hierarchy are therefore now more multidimensional and emergent, and experiences relating to socio-technical features like scale, and as a follow-on (non)participation, are evidence of this. Yet by being emergent, they are also directionless, a product of complex systems rather than designed and strategic intent. This is not an inherently bad thing, but given the potential for data-system and platforms to have negative or unintended consequences, it is worth considering whether remaining directionless is the best outcome. There are many examples of data-driven systems in healthcare (Obermeyer et al.), welfare (Eubanks; Henman and Marston), and economics (MacKenzie), having unintended and negative social consequences. Appropriately guiding the design and deployment of theses system also represents a growing body of knowledge and practical endeavour (Jirotka et al.; Stilgoe et al.). Armed with the knowledge of these social implications, constructing an appropriate social architecture (Box and Lemon; Box et al.) around the platforms and data systems that form the shadow of hierarchy should be encouraged. This social architecture should account for the affordances and emergent potentials of a complex social, institutional, economic, political, and technical environment, and should assist in guiding the shadow of hierarchy away from egregious challenges and towards meaningful opportunities. To be directionless is an opportunity to take a new direction. The intersection of platforms with public institutions and infrastructures has moulded society’s light into an evolving and emergent shadow of hierarchy over many domains. With the scale of the shadow changing, and shaping participation, who benefits and who loses out in the shadow of hierarchy is also changing. Equipped with insights into this change, we should not hesitate to shape this change, creating or preserving relationalities that offer the best outcomes. Defining, understanding, and practically implementing what the “best” outcome(s) are would be a valuable next step in this endeavour, and should prompt considerable discussion. 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Sheridan, Alison, Jane O'Sullivan, Josie Fisher, Kerry Dunne, and Wendy Beck. "Escaping from the City Means More than a Cheap House and a 10-Minute Commute." M/C Journal 22, no.3 (June19, 2019). http://dx.doi.org/10.5204/mcj.1525.

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IntroductionWe five friends clinked glasses in our favourite wine and cocktail bar, and considered our next collaborative writing project. We had seen M/C Journal’s call for articles for a special issue on ‘regional’ and when one of us mentioned the television program, Escape from the City, we began our critique:“They haven’t featured Armidale yet, but wouldn’t it be great if they did?”“Really? I mean, some say any publicity is good publicity but the few early episodes I’ve viewed seem to give little or no screen time to the sorts of lifestyle features I most value in our town.”“Well, seeing as we all moved here from the city ages ago, let’s talk about what made us stay?”We had found our next project.A currently popular lifestyle television show (Escape from the City) on Australia’s national public service broadcaster, the ABC, highlights the limitations of popular cultural representations of life in a regional centre. The program is targeted at viewers interested in relocating to regional Australia. As Raymond Boyle and Lisa Kelly note, popular television is an important entry point into the construction of public knowledge as well as a launching point for viewers as they seek additional information (65). In their capacity to construct popular perceptions of ‘reality’, televisual texts offer a significant insight into our understandings and expectations of what is going on around us. Similar to the concerns raised by Esther Peeren and Irina Souch in their analysis of the popular TV show Farmer Wants a Wife (a version set in the Netherlands from 2004–present), we worry that these shows “prevent important aspects of contemporary rural life from being seen and understood” (37) by the viewers, and do a disservice to regional communities.For the purposes of this article, we interrogate the episodes of Escape from the City screened to date in terms of the impact they may have on promoting regional Australia and speculate on how satisfied (or otherwise) we would be should the producers direct their lens onto our regional community—Armidale, in northern NSW. We start with a brief précis of Escape from the City and then, applying an autoethnographic approach (Butz and Besio) focusing on our subjective experiences, we share our reflections on living in Armidale. We blend our academic knowledge and knowledge of everyday life (Klevan et al.) to argue there is greater cultural diversity, complexity, and value in being in the natural landscape in regional areas than is portrayed in these representations of country life that largely focus on cheaper real estate and a five-minute commute.We employ an autoethnographic approach because it emphasises the socially and politically constituted nature of knowledge claims and allows us to focus on our own lives as a way of understanding larger social phenomena. We recognise there is a vast literature on lifestyle programs and there are many different approaches scholars can take to these. Some focus on the intention of the program, for example “the promotion of neoliberal citizenship through home investment” (White 578), while others focus on the supposed effect on audiences (Tsay-Vogel and Krakowiak). Here we only assert the effects on ourselves. We have chosen to blend our voices (Gilmore et al.) in developing our arguments, highlighting our single voices where our individual experiences are drawn on, as we argue for an alternative representation of regional life than currently portrayed in the regional ‘escapes’ of this mainstream lifestyle television program.Lifestyle TelevisionEscape from the City is one of the ‘lifestyle’ series listed on the ABC iview website under the category of ‘Regional Australia’. Promotional details describe Escape from the City as a lifestyle series of 56-minute episodes in which home seekers are guided through “the trials and tribulations of their life-changing decision to escape the city” (iview).Escape from the City is an example of format television, a term used to describe programs that retain the structure and style of those produced in another country but change the circumstances to suit the new cultural context. The original BBC format is entitled Escape to the Country and has been running since 2002. The reach of lifestyle television is extensive, with the number of programs growing rapidly since 2000, not just in the United Kingdom, but internationally (Hill; Collins). In Australia, they have completed, but not yet screened, 60 episodes of Escape from the City. However, with such popularity comes great potential to influence audiences and we argue this program warrants critical attention.Like House Hunters, the United States lifestyle television show (running since 1997), Escape from the City follows “a strict formula” (Loof 168). Each episode uses the same narrative format, beginning with an introduction to the team of experts, then introducing the prospective house buyers, briefly characterising their reasons for leaving the city and what they are looking for in their new life. After this, we are shown a map of the region and the program follows the ‘escapees’ as they view four pre-selected houses. As we leave each property, the cost and features are reiterated in the written template on the screen. We, the audience, wait in anticipation for their final decision.The focus of Escape from the City is the buying of the house: the program’s team of experts is there to help the potential ‘escapees’ find the real estate gem. Real estate value for money emerges as the primary concern, while the promise of finding a ‘life less ordinary’ as highlighted in the opening credits of the program each week, seems to fall by the wayside. Indeed, the representation of regional centres is not nuanced but limited by the emphasis placed on economics over the social and cultural.The intended move of the ‘escapees’ is invariably portrayed as motivated by disenchantment with city life. Clearly a bigger house and a smaller mortgage also has its hedonistic side. In her study of Western society represented in lifestyle shows, Lyn Thomas lists some of the negative aspects of city life as “high speed, work-dominated, consumerist” (680), along with pollution and other associated health risks. While these are mentioned in Escape from the City, Thomas’s list of the pleasures afforded by a simpler country life including space for human connection and spirituality, is not explored to any satisfying extent. Further, as a launching point for viewers in the city (Boyle and Kelly), we fear the singular focus on the price of real estate reinforces a sense of the rural as devoid of creative arts and cultural diversity with a focus on the productive, rather than the natural, landscape. Such a focus does not encourage a desire to find out more and undersells the richness of our (regional) lives.As Australian regional centres strive to circumvent or halt the negative impacts of the drift in population to the cities (Chan), lifestyle programs are important ‘make or break’ narratives, shaping the appeal and bolstering—or not—a decision to relocate. With their focus on cheaper real estate prices and the freeing up of the assets of the ‘escapees’ that a move to the country may entail, the representation is so focused on the economics that it is almost placeless. While the format includes a map of the regional location, there is little sense of being in the place. Such a limited representation does not do justice to the richness of regional lives as we have experienced them.Our TownLike so many regional centres, Armidale has much to offer and is seeking to grow (Armidale Regional Council). The challenges regional communities face in sustaining their communities is well captured in Gabriele Chan’s account of the city-country divide (Chan) and Armidale, with its population of about 25,000, is no exception. Escape from the City fails to emphasise cultural diversity and richness, yet this is what characterises our experience of our regional city. As long-term and satisfied residents of Armidale, who are keenly aware of the persuasive power of popular cultural representations (O’Sullivan and Sheridan; Sheridan and O’Sullivan), we are concerned about the trivialising or reductive manner in which regional Australia is portrayed.While we acknowledge there has not been an episode of Escape from the City featuring Armidale, if the characterisation of another, although larger, regional centre, Toowoomba, is anything to go by, our worst fears may be realised if our town is to feature in the future. Toowoomba is depicted as rural landscapes, ‘elegant’ buildings, a garden festival (the “Carnival of the Flowers”) and the town’s history as home of the Southern Cross windmill and the iconic lamington sponge. The episode features an old shearing shed and a stock whip demonstration, but makes no mention of the arts, or of the University that has been there since 1967. Summing up Toowoomba, the voiceover describes it as “an understated and peaceful place to live,” and provides “an attractive alternative” to city life, substantiated by a favourable comparison of median real estate prices.Below we share our individual responses to the question raised in our opening conversation about the limitations of Escape from the City: What have we come to value about our own town since escaping from city life?Jane: The aspects of life in Armidale I most enjoy are, at least in part, associated with or influenced by the fact that this is a centre for education and a ‘university town’. As such, there is access to an academic library and an excellent town library. The presence of the University of New England, along with independent and public schools, and TAFE, makes education a major employer, attracting a significant student population, and is a major factor in Armidale being one of the first towns in the roll-out of the NBN/high-speed broadband. University staff and students may also account for the thriving cafe culture, along with designer breweries/bars, art house cinema screenings, and a lively classical and popular music scene. Surely the presence of a university and associated spin-offs would deserve coverage in a prospective episode about Armidale.Alison: Having grown up in the city, and now having lived more than half my life in an inner-regional country town, I don’t feel I am missing out ‘culturally’ from this decision. Within our town, there is a vibrant arts community, with the regional gallery and two local galleries holding regular art exhibitions, theatre at a range of venues, and book launches at our lively local book store. And when my children were younger, there was no shortage of sporting events they could be involved with. Encountering friends and familiar faces regularly at these events adds to my sense of belonging to my community. The richness of this life does not make it to the television screen in episodes of Escape from the City.Kerry: I greatly value the Armidale community’s strong social conscience. There are many examples of successful programs to support diverse groups. Armidale Sanctuary and Humanitarian Settlement sponsored South Sudanese refugees for many years and is currently assisting Ezidi refugees. In addition to the core Sanctuary committee, many in the local community help families with developing English skills, negotiating daily life, such as reading and responding to school notes and medical questionnaires. The Backtrack program assists troubled Aboriginal and non-Aboriginal youth. The program helps kids “to navigate their relationships, deal with personal trauma, take responsibility […] gain skills […] so they can eventually create a sustainable future for themselves.” The documentary film Backtrack Boys shows what can be achieved by individuals with the support of the community. Missing from Escape from the City is recognition of the indigenous experience and history in regional communities, unlike the BBC’s ‘original’ program in which medieval history and Vikings often get a ‘guernsey’. The 1838 Myall Creek massacre of 28 Wirrayaraay people, led to the first prosecution and conviction of a European for killing Aboriginals. Members of the Indigenous and non-Indigenous community in Armidale are now active in acknowledging the past wrongs and beginning the process of reconciliation.Josie: About 10am on a recent Saturday morning I was walking from the car park to the shopping complex. Coming down the escalator and in the vestibule, there were about thirty people and it occurred to me that there were at least six nationalities represented, with some of the people wearing traditional dress. It also struck me that this is not unusual—we are a diverse community as a result of our history and being a ‘university city’. The Armidale Aboriginal Cultural Centre and Keeping Place was established in 1988 and is being extended in 2019. Diversity is apparent in cultural activities such as an international film festival held annually and many of the regular musical events and stalls at the farmers’ market increasingly reflect the cultural mix of our town. As a long-term resident, I appreciate the lifestyle here.Wendy: It is early morning and I am walking in a forest of tall trees, with just the sounds of cattle and black cockatoos. I travel along winding pathways with mossy boulders and creeks dry with drought. My dog barks at rabbits and ‘roos, and noses through the nooks and crannies of the hillside. In this public park on the outskirts of town, I can walk for two hours without seeing another person, or I can be part of a dog-walking pack. The light is grey and misty now, the ranges blue and dark green, but I feel peaceful and content. I came here from the city 30 years ago and hated it at first! But now I relish the way I can be at home in 10 minutes after starting the day in the midst of nature and feeling part of the landscape, not just a tourist—never a possibility in the city. I can watch the seasons and the animals as they come and go and be part of a community which is part of the landscape too. For me, the first verse of South of My Days, written by a ‘local’ describing our New England environment, captures this well:South of my days’ circle, part of my blood’s country,rises that tableland, high delicate outlineof bony slopes wincing under the winter,low trees, blue-leaved and olive, outcropping granite-clean, lean, hungry country. The creek’s leaf-silenced,willow choked, the slope a tangle of medlar and crabapplebranching over and under, blotched with a green lichen;and the old cottage lurches in for shelter. (Wright 20)Whilst our autoethnographic reflections may not reach the heady heights of Judith Wright, they nevertheless reflect the experience of living in, not just escaping to the country. We are disappointed that the breadth of cultural activities and the sense of diversity and community that our stories evoke are absent from the representations of regional communities in Escape from the City.Kate Oakley and Jonathon Ward argue that ‘visions of the good life’, in particular cultural life in the regions, need to be supported by policy which encourages a sustainable prosperity characterised by both economic and cultural development. Escape from the City, however, dwells on the material aspects of consumption—good house prices and the possibility of a private enterprise—almost to the exclusion of any coverage of the creative cultural features.We recognise that the lifestyle genre requires simplification for viewers to digest. What we are challenging is the sense that emerges from the repetitive format week after week whereby differences between places are lost (White 580). Instead what is conveyed in Escape from the City is that regions are homogenous and monocultural. We would like to see more screen time devoted to the social and cultural aspects of the individual locations.ConclusionWe believe coverage of a far richer and more complex nature of rural life would provide a more ‘realistic’ preview of what could be ahead for the ‘escapees’ and perhaps swing the decision to relocate. Certainly, there is some evidence that viewers gain information from lifestyle programs (Hill 106). We are concerned that a lifestyle television program that purports to provide expert advice on the benefits and possible pitfalls of a possible move to the country should be as accurate and all-encompassing as possible within the constraints of the length of the program and the genre.So, returning to what may appear to have been a light-hearted exchange between us at our local bar, and given the above discussion, we argue that television is a powerful medium. We conclude that a popular lifestyle television program such as Escape from the City has an impact on a large viewing audience. For those city-based viewers watching, the message is that moving to the country is an economic ‘no brainer’, whereas the social and cultural dimensions of regional communities, which we posit have sustained our lives, are overlooked. Such texts influence viewers’ perceptions and expectations of what escaping to the country may entail. Escape from the City exploits regional towns as subject matter for a lifestyle program but does not significantly challenge stereotypical representations of country life or does not fully flesh out what escaping to the country may achieve.ReferencesArmidale Regional Council. Community Strategic Plan 2017–2027. Armidale: Armidale Regional Council, 2017.“Backtrack Boys.” Dir. Catherine Scott. Sydney: Umbrella Entertainment, 2018.Boyle, Raymond, and Lisa W. Kelly. “Television, Business Entertainment and Civic Culture.” Television and New Media 14.1 (2013): 62–70.Butz, David, and Kathryn Besio. “Autoethnography.” Geography Compass 3.5 (2009): 1660–74.Chan, Gabrielle. Rusted Off: Why Country Australia Is Fed Up. Australia: Vintage, 2018.Collins, Megan. Classical and Contemporary Social Theory: The New Narcissus in the Age of Reality Television. Routledge, 2018.Gilmore, Sarah, Nancy Harding, Jenny Helin, and Alison Pullen. “Writing Differently.” Management Learning 50.1 (2019): 3–10.Hill, Annette. Reality TV: Audiences and Popular Factual Television. London: Routledge, 2004.iview. “Escape from the City.” Sydney: Australian Broadcasting Corporation, 2019.Klevan, Trude, Bengt Karlsson, Lydia Turner, Nigel Short, and Alec Grant. “‘Aha! ‘Take on Me’s’: Bridging the North Sea with Relational Autoethnography.” Qualitative Research Journal 18.4 (2018): 330–44.Loof, Travis. “A Narrative Criticism of Lifestyle Reality Programs.” Journal of Media Critiques 1.5 (2015): 167–78.O’Sullivan, Jane, and Alison Sheridan. “The King Is Dead, Long Live the King: Tall Tales of New Men and New Management in The Bill.” Gender, Work and Organization 12.4 (2005): 299–318.Oakley, Kate, and Jonathon Ward. “The Art of the Good Life: Culture and Sustainable Prosperity.” Cultural Trends 27.1 (2018): 4–17.Peeren, Esther, and Irina Souch. “Romance in the Cowshed: Challenging and Reaffirming the Rural Idyll in the Dutch Reality TV Show Farmer Wants a Wife.” Journal of Rural Studies 67.1 (2019): 37–45.Sheridan, Alison, and Jane O’Sullivan. “‘Fact’ and ‘Fiction’: Enlivening Health Care Education.” Journal of Health Orgnaization and Management 27.5 (2013): 561–76.Thomas, Lyn. “Alternative Realities: Downshifting Narratives in Contemporary Lifestyle Television.” Cultural Studies 22.5 (2008): 680–99.Tsay-Vogel, Mina, and K. Maja Krakowiak. “Exploring Viewers’ Responses to Nine Reality TV Subgenres.” Psychology of Popular Media Culture 6.4 (2017): 348–60.White, Mimi. “‘A House Divided’.” European Journal of Cultural Studies 20.5 (2017): 575–91.Wright, Judith. Collected Poems: 1942–1985. Sydney: Angus & Robertson, 1994.

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Brien, Donna Lee. "“Porky Times”: A Brief Gastrobiography of New York’s The Spotted Pig." M/C Journal 13, no.5 (October18, 2010). http://dx.doi.org/10.5204/mcj.290.

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Introduction With a deluge of mouthwatering pre-publicity, the opening of The Spotted Pig, the USA’s first self-identified British-styled gastropub, in Manhattan in February 2004 was much anticipated. The late Australian chef, food writer and restauranteur Mietta O’Donnell has noted how “taking over a building or business which has a long established reputation can be a mixed blessing” because of the way that memories “can enrich the experience of being in a place or they can just make people nostalgic”. Bistro Le Zoo, the previous eatery on the site, had been very popular when it opened almost a decade earlier, and its closure was mourned by some diners (Young; Kaminsky “Feeding Time”; Steinhauer & McGinty). This regret did not, however, appear to affect The Spotted Pig’s success. As esteemed New York Times reviewer Frank Bruni noted in his 2006 review: “Almost immediately after it opened […] the throngs started to descend, and they have never stopped”. The following year, The Spotted Pig was awarded a Michelin star—the first year that Michelin ranked New York—and has kept this star in the subsequent annual rankings. Writing Restaurant Biography Detailed studies have been published of almost every type of contemporary organisation including public institutions such as schools, hospitals, museums and universities, as well as non-profit organisations such as charities and professional associations. These are often written to mark a major milestone, or some significant change, development or the demise of the organisation under consideration (Brien). Detailed studies have also recently been published of businesses as diverse as general stores (Woody), art galleries (Fossi), fashion labels (Koda et al.), record stores (Southern & Branson), airlines (Byrnes; Jones), confectionary companies (Chinn) and builders (Garden). In terms of attracting mainstream readerships, however, few such studies seem able to capture popular reader interest as those about eating establishments including restaurants and cafés. This form of restaurant life history is, moreover, not restricted to ‘quality’ establishments. Fast food restaurant chains have attracted their share of studies (see, for example Love; Jakle & Sculle), ranging from business-economic analyses (Liu), socio-cultural political analyses (Watson), and memoirs (Kroc & Anderson), to criticism around their conduct and effects (Striffler). Eric Schlosser’s Fast Food Nation: The Dark Side of the All-American Meal is the most well-known published critique of the fast food industry and its effects with, famously, the Rolling Stone article on which it was based generating more reader mail than any other piece run in the 1990s. The book itself (researched narrative creative nonfiction), moreover, made a fascinating transition to the screen, transformed into a fictionalised drama (co-written by Schlosser) that narrates the content of the book from the point of view of a series of fictional/composite characters involved in the industry, rather than in a documentary format. Akin to the range of studies of fast food restaurants, there are also a variety of studies of eateries in US motels, caravan parks, diners and service station restaurants (see, for example, Baeder). Although there has been little study of this sub-genre of food and drink publishing, their popularity can be explained, at least in part, because such volumes cater to the significant readership for writing about food related topics of all kinds, with food writing recently identified as mainstream literary fare in the USA and UK (Hughes) and an entire “publishing subculture” in Australia (Dunstan & Chaitman). Although no exact tally exists, an informed estimate by the founder of the Gourmand World Cookbook Awards and president of the Paris Cookbook Fair, Edouard Cointreau, has more than 26,000 volumes on food and wine related topics currently published around the world annually (ctd. in Andriani “Gourmand Awards”). The readership for publications about restaurants can also perhaps be attributed to the wide range of information that can be included a single study. My study of a selection of these texts from the UK, USA and Australia indicates that this can include narratives of place and architecture dealing with the restaurant’s location, locale and design; narratives of directly food-related subject matter such as menus, recipes and dining trends; and narratives of people, in the stories of its proprietors, staff and patrons. Detailed studies of contemporary individual establishments commonly take the form of authorised narratives either written by the owners, chefs or other staff with the help of a food journalist, historian or other professional writer, or produced largely by that writer with the assistance of the premise’s staff. These studies are often extensively illustrated with photographs and, sometimes, drawings or reproductions of other artworks, and almost always include recipes. Two examples of these from my own collection include a centennial history of a famous New Orleans eatery that survived Hurricane Katrina, Galatoire’s Cookbook. Written by employees—the chief operating officer/general manager (Melvin Rodrigue) and publicist (Jyl Benson)—this incorporates reminiscences from both other staff and patrons. The second is another study of a New Orleans’ restaurant, this one by the late broadcaster and celebrity local historian Mel Leavitt. The Court of Two Sisters Cookbook: With a History of the French Quarter and the Restaurant, compiled with the assistance of the Two Sisters’ proprietor, Joseph Fein Joseph III, was first published in 1992 and has been so enduringly popular that it is in its eighth printing. These texts, in common with many others of this type, trace a triumph-over-adversity company history that incorporates a series of mildly scintillating anecdotes, lists of famous chefs and diners, and signature recipes. Although obviously focused on an external readership, they can also be characterised as an instance of what David M. Boje calls an organisation’s “story performance” (106) as the process of creating these narratives mobilises an organisation’s (in these cases, a commercial enterprise’s) internal information processing and narrative building activities. Studies of contemporary restaurants are much more rarely written without any involvement from the eatery’s personnel. When these are, the results tend to have much in common with more critical studies such as Fast Food Nation, as well as so-called architectural ‘building biographies’ which attempt to narrate the historical and social forces that “explain the shapes and uses” (Ellis, Chao & Parrish 70) of the physical structures we create. Examples of this would include Harding’s study of the importance of the Boeuf sur le Toit in Parisian life in the 1920s and Middlebrook’s social history of London’s Strand Corner House. Such work agrees with Kopytoff’s assertion—following Appadurai’s proposal that objects possess their own ‘biographies’ which need to be researched and expressed—that such inquiry can reveal not only information about the objects under consideration, but also about readers as we examine our “cultural […] aesthetic, historical, and even political” responses to these narratives (67). The life story of a restaurant will necessarily be entangled with those of the figures who have been involved in its establishment and development, as well as the narratives they create around the business. This following brief study of The Spotted Pig, however, written without the assistance of the establishment’s personnel, aims to outline a life story for this eatery in order to reflect upon the pig’s place in contemporary dining practice in New York as raw foodstuff, fashionable comestible, product, brand, symbol and marketing tool, as well as, at times, purely as an animal identity. The Spotted Pig Widely profiled before it even opened, The Spotted Pig is reportedly one of the city’s “most popular” restaurants (Michelin 349). It is profiled in all the city guidebooks I could locate in print and online, featuring in some of these as a key stop on recommended itineraries (see, for instance, Otis 39). A number of these proclaim it to be the USA’s first ‘gastropub’—the term first used in 1991 in the UK to describe a casual hotel/bar with good food and reasonable prices (Farley). The Spotted Pig is thus styled on a shabby-chic version of a traditional British hotel, featuring a cluttered-but-well arranged use of pig-themed objects and illustrations that is described by latest Michelin Green Guide of New York City as “a country-cute décor that still manages to be hip” (Michelin 349). From the three-dimensional carved pig hanging above the entrance in a homage to the shingles of traditional British hotels, to the use of its image on the menu, website and souvenir tee-shirts, the pig as motif proceeds its use as a foodstuff menu item. So much so, that the restaurant is often (affectionately) referred to by patrons and reviewers simply as ‘The Pig’. The restaurant has become so well known in New York in the relatively brief time it has been operating that it has not only featured in a number of novels and memoirs, but, moreover, little or no explanation has been deemed necessary as the signifier of “The Spotted Pig” appears to convey everything that needs to be said about an eatery of quality and fashion. In the thriller Lethal Experiment: A Donovan Creed Novel, when John Locke’s hero has to leave the restaurant and becomes involved in a series of dangerous escapades, he wants nothing more but to get back to his dinner (107, 115). The restaurant is also mentioned a number of times in Sex and the City author Candace Bushnell’s Lipstick Jungle in relation to a (fictional) new movie of the same name. The joke in the book is that the character doesn’t know of the restaurant (26). In David Goodwillie’s American Subversive, the story of a journalist-turned-blogger and a homegrown terrorist set in New York, the narrator refers to “Scarlett Johansson, for instance, and the hostess at the Spotted Pig” (203-4) as the epitome of attractiveness. The Spotted Pig is also mentioned in Suzanne Guillette’s memoir, Much to Your Chagrin, when the narrator is on a dinner date but fears running into her ex-boyfriend: ‘Jack lives somewhere in this vicinity […] Vaguely, you recall him telling you he was not too far from the Spotted Pig on Greenwich—now, was it Greenwich Avenue or Greenwich Street?’ (361). The author presumes readers know the right answer in order to build tension in this scene. Although this success is usually credited to the joint efforts of backer, music executive turned restaurateur Ken Friedman, his partner, well-known chef, restaurateur, author and television personality Mario Batali, and their UK-born and trained chef, April Bloomfield (see, for instance, Batali), a significant part has been built on Bloomfield’s pork cookery. The very idea of a “spotted pig” itself raises a central tenet of Bloomfield’s pork/food philosophy which is sustainable and organic. That is, not the mass produced, industrially farmed pig which produces a leaner meat, but the fatty, tastier varieties of pig such as the heritage six-spotted Berkshire which is “darker, more heavily marbled with fat, juicier and richer-tasting than most pork” (Fabricant). Bloomfield has, indeed, made pig’s ears—long a Chinese restaurant staple in the city and a key ingredient of Southern US soul food as well as some traditional Japanese and Spanish dishes—fashionable fare in the city, and her current incarnation, a crispy pig’s ear salad with lemon caper dressing (TSP 2010) is much acclaimed by reviewers. This approach to ingredients—using the ‘whole beast’, local whenever possible, and the concentration on pork—has been underlined and enhanced by a continuing relationship with UK chef Fergus Henderson. In his series of London restaurants under the banner of “St. John”, Henderson is famed for the approach to pork cookery outlined in his two books Nose to Tail Eating: A Kind of British Cooking, published in 1999 (re-published both in the UK and the US as The Whole Beast: Nose to Tail Eating), and Beyond Nose to Tail: A Kind of British Cooking: Part II (coauthored with Justin Piers Gellatly in 2007). Henderson has indeed been identified as starting a trend in dining and food publishing, focusing on sustainably using as food the entirety of any animal killed for this purpose, but which mostly focuses on using all parts of pigs. In publishing, this includes Hugh Fearnley-Whittingstall’s The River Cottage Meat Book, Peter Kaminsky’s Pig Perfect, subtitled Encounters with Some Remarkable Swine and Some Great Ways to Cook Them, John Barlow’s Everything but the Squeal: Eating the Whole Hog in Northern Spain and Jennifer McLagan’s Fat: An Appreciation of a Misunderstood Ingredient, with Recipes (2008). In restaurants, it certainly includes The Spotted Pig. So pervasive has embrace of whole beast pork consumption been in New York that, by 2007, Bruni could write that these are: “porky times, fatty times, which is to say very good times indeed. Any new logo for the city could justifiably place the Big Apple in the mouth of a spit-roasted pig” (Bruni). This demand set the stage perfectly for, in October 2007, Henderson to travel to New York to cook pork-rich menus at The Spotted Pig in tandem with Bloomfield (Royer). He followed this again in 2008 and, by 2009, this annual event had become known as “FergusStock” and was covered by local as well as UK media, and a range of US food weblogs. By 2009, it had grown to become a dinner at the Spotted Pig with half the dishes on the menu by Henderson and half by Bloomfield, and a dinner the next night at David Chang’s acclaimed Michelin-starred Momofuku Noodle Bar, which is famed for its Cantonese-style steamed pork belly buns. A third dinner (and then breakfast/brunch) followed at Friedman/Bloomfield’s Breslin Bar and Dining Room (discussed below) (Rose). The Spotted Pig dinners have become famed for Henderson’s pig’s head and pork trotter dishes with the chef himself recognising that although his wasn’t “the most obvious food to cook for America”, it was the case that “at St John, if a couple share a pig’s head, they tend to be American” (qtd. in Rose). In 2009, the pigs’ head were presented in pies which Henderson has described as “puff pastry casing, with layers of chopped, cooked pig’s head and potato, so all the lovely, bubbly pig’s head juices go into the potato” (qtd. in Rose). Bloomfield was aged only 28 when, in 2003, with a recommendation from Jamie Oliver, she interviewed for, and won, the position of executive chef of The Spotted Pig (Fabricant; Q&A). Following this introduction to the US, her reputation as a chef has grown based on the strength of her pork expertise. Among a host of awards, she was named one of US Food & Wine magazine’s ten annual Best New Chefs in 2007. In 2009, she was a featured solo session titled “Pig, Pig, Pig” at the fourth Annual International Chefs Congress, a prestigious New York City based event where “the world’s most influential and innovative chefs, pastry chefs, mixologists, and sommeliers present the latest techniques and culinary concepts to their peers” (Starchefs.com). Bloomfield demonstrated breaking down a whole suckling St. Canut milk raised piglet, after which she butterflied, rolled and slow-poached the belly, and fried the ears. As well as such demonstrations of expertise, she is also often called upon to provide expert comment on pork-related news stories, with The Spotted Pig regularly the subject of that food news. For example, when a rare, heritage Hungarian pig was profiled as a “new” New York pork source in 2009, this story arose because Bloomfield had served a Mangalitsa/Berkshire crossbreed pig belly and trotter dish with Agen prunes (Sanders) at The Spotted Pig. Bloomfield was quoted as the authority on the breed’s flavour and heritage authenticity: “it took me back to my grandmother’s kitchen on a Sunday afternoon, windows steaming from the roasting pork in the oven […] This pork has that same authentic taste” (qtd. in Sanders). Bloomfield has also used this expert profile to support a series of pork-related causes. These include the Thanksgiving Farm in the Catskill area, which produces free range pork for its resident special needs children and adults, and helps them gain meaningful work-related skills in working with these pigs. Bloomfield not only cooks for the project’s fundraisers, but also purchases any excess pigs for The Spotted Pig (Estrine 103). This strong focus on pork is not, however, exclusive. The Spotted Pig is also one of a number of American restaurants involved in the Meatless Monday campaign, whereby at least one vegetarian option is included on menus in order to draw attention to the benefits of a plant-based diet. When, in 2008, Bloomfield beat the Iron Chef in the sixth season of the US version of the eponymous television program, the central ingredient was nothing to do with pork—it was olives. Diversifying from this focus on ‘pig’ can, however, be dangerous. Friedman and Bloomfield’s next enterprise after The Spotted Pig was The John Dory seafood restaurant at the corner of 10th Avenue and 16th Street. This opened in November 2008 to reviews that its food was “uncomplicated and nearly perfect” (Andrews 22), won Bloomfield Time Out New York’s 2009 “Best New Hand at Seafood” award, but was not a success. The John Dory was a more formal, but smaller, restaurant that was more expensive at a time when the financial crisis was just biting, and was closed the following August. Friedman blamed the layout, size and neighbourhood (Stein) and its reservation system, which limited walk-in diners (ctd. in Vallis), but did not mention its non-pork, seafood orientation. When, almost immediately, another Friedman/Bloomfield project was announced, the Breslin Bar & Dining Room (which opened in October 2009 in the Ace Hotel at 20 West 29th Street and Broadway), the enterprise was closely modeled on the The Spotted Pig. In preparation, its senior management—Bloomfield, Friedman and sous-chefs, Nate Smith and Peter Cho (who was to become the Breslin’s head chef)—undertook a tasting tour of the UK that included Henderson’s St. John Bread & Wine Bar (Leventhal). Following this, the Breslin’s menu highlighted a series of pork dishes such as terrines, sausages, ham and potted styles (Rosenberg & McCarthy), with even Bloomfield’s pork scratchings (crispy pork rinds) bar snacks garnering glowing reviews (see, for example, Severson; Ghorbani). Reviewers, moreover, waxed lyrically about the menu’s pig-based dishes, the New York Times reviewer identifying this focus as catering to New York diners’ “fetish for pork fat” (Sifton). This representative review details not only “an entree of gently smoked pork belly that’s been roasted to tender goo, for instance, over a drift of buttery mashed potatoes, with cabbage and bacon on the side” but also a pig’s foot “in gravy made of reduced braising liquid, thick with pillowy shallots and green flecks of deconstructed brussels sprouts” (Sifton). Sifton concluded with the proclamation that this style of pork was “very good: meat that is fat; fat that is meat”. Concluding remarks Bloomfield has listed Michael Ruhlman’s Charcuterie as among her favourite food books. Publishers Weekly reviewer called Ruhlman “a food poet, and the pig is his muse” (Q&A). In August 2009, it was reported that Bloomfield had always wanted to write a cookbook (Marx) and, in July 2010, HarperCollins imprint Ecco publisher and foodbook editor Dan Halpern announced that he was planning a book with her, tentatively titled, A Girl and Her Pig (Andriani “Ecco Expands”). As a “cookbook with memoir running throughout” (Maurer), this will discuss the influence of the pig on her life as well as how to cook pork. This text will obviously also add to the data known about The Spotted Pig, but until then, this brief gastrobiography has attempted to outline some of the human, and in this case, animal, stories that lie behind all businesses. References Andrews, Colman. “Its Up To You, New York, New York.” Gourmet Apr. (2009): 18-22, 111. Andriani, Lynn. “Ecco Expands Cookbook Program: HC Imprint Signs Up Seven New Titles.” Publishers Weekly 12 Jul. (2010) 3 Sep. 2010 http://www.publishersweekly.com/pw/by-topic/book-news/cooking/article/43803-ecco-expands-cookbook-program.html Andriani, Lynn. “Gourmand Awards Receive Record Number of Cookbook Entries.” Publishers Weekly 27 Sep. 2010 http://www.publishersweekly.com/pw/by-topic/book-news/cooking/article/44573-gourmand-awards-receive-record-number-of-cookbook-entries.html Appadurai, Arjun. 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St Lucia: U of Queensland P, 2007: 333-351. Ellis, W. Russell, Tonia Chao and Janet Parrish. “Levi’s Place: A Building Biography.” Places 2.1 (1985): 57-70. Estrine, Darryl. Harvest to Heat: Cooking with America’s Best Chefs, Farmers, and Artisans. Newton CT: The Taunton Press, 2010 Fabricant, Florence. “Food stuff: Off the Menu.” New York Times 26 Nov. 2003. 3 Sep. 2010 http://www.nytimes.com/2003/11/26/dining/food-stuff-off-the-menu.html?ref=april_bloomfield Fabricant, Florence. “Food Stuff: Fit for an Emperor, Now Raised in America.” New York Times 23 Jun. 2004. 2 Sep. 2010 http://www.nytimes.com/2004/06/23/dining/food-stuff-fit-for-an-emperor-now-raised-in-america.html Farley, David. “In N.Y., An Appetite for Gastropubs.” The Washington Post 24 May 2009. 1 Sep. 2010 http://www.washingtonpost.com/wp-dyn/content/article/2009/05/22/AR2009052201105.html Fearnley-Whittingstall, Hugh. The River Cottage Meat Book. London: Hodder & Stoughton, 2004. 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